Consider looking into fitting a flash tube into an elipsoidal theatrical spot luminaire; some are made with fixed focal length optics and some have zoom optics.
These fixtures have an adjustment for sharp/unsharp focus, and have shutters placed at the gate, where the lens focuses, so sharp cuts of the light output are possible.
The challenge is that they are made for long throws. Optics in fixed units tend towards 50, 38, 25 and 19 dgerees in one line I am familiar with.
You may not need to go with a flash tube; these luminaires are typically fitted with a 500 or 1000w lamp, and so may only need to be colour balanced if there are other daylight balanced light sources in your set. Otheriwse colour correct for tungsten on the camera, and start shooting
Shoot quickly, for they are most certainly 'hot' lights, although the more modern designs have a dichroic reflector and some (selecon out of new zealand) have a large dichroic mirror that makes the beam free of IR enough that you can even use acetate gobos to put patterns into the gate and project them. Most old style lamps of this sort use a spring steel gobo that glows red hot while the lamp is operating.