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Need a B&W paper fixer

OptiKen

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Oct 31, 2013
Messages
1,054
Location
Orange County
Format
Medium Format
I'm finally going to be able to set up my darkroom again and need to restock my chemicals.
I've never done toning before but want to start on a few prints that I think will render nicely in selenium and sepia.
So....
My question is basically, hardening or non-hardening fixer?

I always use a non-hardening fixer for films but am not sure which will work best on paper.
I prefer liquids but if the powdered mix up well and stay in solution and have a decent shelf life for an occasional printer, I could use powder too.

Any suggestions as to hardening or non-hardening and/or preferred brands?

Thanks in advance

Ken
 
SOLD!
Thank you much for your replies.
(I think the commercial comes from a trusted source)
 
Last edited:
If the 1 litre Kodak Rapid Fixer is available, it has one particular advantage.
It comes in two parts - the fixer concentrate (part A), and the hardener concentrate (part B). Part B is quite strong sulfuric acid (among other things).
I mix up and use the fixer without the hardener.
And then when I am toning, I finish off with a treatment in the hardener (mixed 1+13) prior to the wash.
Toning can soften the emulsion on prints. Post-toning hardening is recommended by Kodak and others.
The up-side: two chemicals in one purchase.
The down-side: the Part B hardener makes the 1 litre packages of Kodak Rapid Fixer a "hazardous item" for shipping purposes.
 
It doesn't much matter. Most printers prefer a non-hardening rapid fixer. Liquid concentrated are a lot easier to use.
 
always non-hardening fixwr as it wil wash out mch esier.