Having recently acquired a 501cm Hasselblad I have been trying out various lenses to see which one I will find most useful when it comes to landscape photography. Having looked at my recent prints (Provia 100) I have been a little disappointed with the results and was wondering whether or not I should invest in a ND Filter to cut down the light coming into the camera. If so which Filter would you recommend and why?
When I handed in my film to be processed I was asked if I wanted it processed at 50 and declined because of the range of subject matter and lighting conditions the film was exposed in. Most of the coastal photos that I took were metered at EV14 and I used a 40mm Distagon CFE IF lens.
The only benefit to using ND filters to "cut down on the light coming into the camera" is that you will use larger apertures (to obtain/maintain a proper exposure) thereby having less depth of field, or slower shutter speeds which can render motion blur. (If that's what you want.)
Before suggesting solutions or asking opinions it might be worth your while to explain a bit more about your disappointment. What is disappointing? What do you want to change?
And why would the lab ask such a question; every lab I've ever used assumes normal development unless specifically directed otherwise.
Possibly , if any of these photos are near the sea , you might wish to try an 81A or 81B filter .
Not a measurable reduction in light , but it could offer an improvement in the light the film sees .
Peter
I will look into your advice Peter. Thanks for that. In answer to your question BrianShaw the prints seemed a little washed out and the colour saturation not as rich as I had hoped which was why I had chosen Provia 100 in the first place. The fastest shutter speed the Hasselblad does is 1/500 and I was thinking that perhaps it was not quite fast enough for the amount of light that was around. The images that I was after were all static and I was not looking to create motion blur or candy floss type water effects.
You mention the limit of 1/500sec. If this is causing you to over-expose colour negative film, the result will be the opposite of the washed out result you got. Too much light entering the camera is not the problem here, and a ND filter is not the solution.