My new Voigtlander Bessa 1

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And try it wide open for portraits.

Sure try it. But my experience with such triplet lenses is wide open a bit too soft and a bit too little contrast. I'd still close down a stop or two. But experimentation could be fun of course.
 

baachitraka

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The triplet in my Rolleicord II is rather good with swirl bokeh and it flattens out any imperfections in the face.
 

Pioneer

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Learn something new every day. I didn't know that Rolleicords came with triplet lenses. I thought they were at least Tessars or Tessar types.

As I am fond of triplet lenses I may have to go search one out.
 
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studiocarter

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A manual for the Bessa, not the Bessa l, says to use the lower window nearest the end of the camera away from the winder to count 6/9 frames.
 
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studiocarter

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3dreal

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uncocking without losing an image will not work at least in my Bessa I since there is a double-exposure-prevention-technique built in. Shooting only when film is transported. see arrow near shutter-release-button.
my Bessa I has Vaskar 105/4.5 Prontor -S with 1/250 quickest and X-synch only. SV has also M-synch. Sorry for omitting quoting someone above.
 
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bernard_L

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With the 400+ film I bought for gray days the sun has been shining brightly ever since and I didn't want to wait so it was tested at the absolute extreme of f22 & 1/400.
  • Going to that "absolute extreme" 1/400 f/22 would be required only for snow scenes.
  • Normal exposure for sunny weather and 400 speed film is 1/400 f/16 or any other equivalent combination.
  • With negative (color or bw) film, your image quality has more to lose from 1 stop under exposure than one stop over.
  • Even with the basic method of average metering, a sunny weather scene often meters at (for 400 speed film) 1/400 f/11 (or 1/200 f/16, or...), because: (a) some parts are open shadow; (b) trees, grass, etc, are darker than the "standard middle gray" (whatever that is, please do not open that can).
 
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