I would avoid cheap light meters, especially selenium ones, such as the Gossen Sixtino II I have, as they tend to be quite unreliable and flirt with uselessness.
Lots of technical and theory stuff in this thread. However, I have happily used Weston (Selenium) meters for over 40 years to good effect and will remain so. They are (now) very cheap, suit my needs and respond to light the same as B&W film.
You should also consider whether you plan to use the light meter in low light conditions.
No meter can be accurate at low light levels because you need to accommodate for reciprocity. For all my city night photography, I use the Weston to meter the brightest highlight, place it on Zone VIII and then apply the reciprocity factor. Using this method, I have never had a (technically) dud image.
... (you also need to be aware of the fact that, up to and including the Weston III, the settings are for Weston film speeds not ASA/ISO ...
For cheap meters I mean meters which were cheap in their own time. Good "professional" meters which are now cheap are exactly what I suggest to buy.
Reciprocity is maintained by certain films (such as Fuji Astia) even at 1 minute exposure. Some selenium light meters don't go below EV4 @ 100 ISO. Between EV4 @ 100 ISO an EV 0 @ 100 ISO there's a lot of difference. With 100 ISO, EV0 means 4 seconds at f/2 which can well be within the normal reciprocity behaviour. The same light level with 400 ISO yields 1 second @ f/2.
In any case, you have to have a measure to "accommodate" for reciprocity. Your assumption that placing the highlights in Zone VIII is enough presumes you are in a position when you can actually use your light meter so as to meter "zone VIII". In a dark church where Zone VIII is a very dark cloud on a roof painting lighted by high windows it's not easy to move the light meter to measure "zone VIII".
Your point that light meters are not accurate in low lights because film suffer from reciprocity does not make much sense here. Precision of a light meter has nothing to do with reciprocity of a film. You start from a measure given by the light meter, and then you "do the math" for reciprocity defect if need be, and that depends from your film and the couple you are using. A light meter which does not read in low light simply does not give you a measure to start with.
Indeed my point - you have to interpret the information that your light meter gives you.
If you understand the Zone System you only need to know where a particular zone should be and you can interpret where all other values should fall.
End results are the real test as far as I am concerned. My system works 100% of the time technically although 'seeing' is not always so successful.
Final questions:
Does Michael Kenna use a spot digital meter, did Edward Weston, Cartier-Bresson, Lee Friedlander, Diane Arbus, Frederick Summer, Gary Winnogrand, Bill Brandt, Stephen Shore, Robert Adams, Mario Giacomelli, Weegee, et all, use a digital meter - what is the point in the question ??????? - they all made great images.
Best,
David
www.dsallen.de
Final questions:
Does Michael Kenna use a spot digital meter, did Edward Weston, Cartier-Bresson, Lee Friedlander, Diane Arbus, Frederick Summer, Gary Winnogrand, Bill Brandt, Stephen Shore, Robert Adams, Mario Giacomelli, Weegee, et all, use a digital meter - what is the point in the question ??????? - they all made great images.
Best,
David
www.dsallen.de
for this final questions I would say one can make great images without a meter. One can estimate exposure, distance even field of view for the lens when one is shooting from the hip. When I use an instrument to make measurement I want it to be accurate.
I know that is true for Master II, but my Master III is in ASA (both of them).
I think that is the difference between the black Master IIIs and the chrome Master IIIs.
The original LunaSix is my main meter, along with a Weston Master III that I like using with the Invercone.
A meter movement is very difficult to get repaired properly, it's a job for a watchmaker really. The LunaSix has been in my hands since the late 80s or early 90s, it's still accurate and reliable after being recalibrated ca. 1995 by Gossen. I have a LunaSix 3 and a LunaPro NIB for backups, along with an NIB Master III.
My brother.
... escept I have a Sekonic L-558 as a backup!
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