Thanks. I found a Durst RCP 20 converted to RA-4, in pristine condition, but he wants 1K for it. I'll pass! I thought about buying Kodak paper in a roll, but have to put some thought into how I will cut it. I did buy the Kodak color print viewing filter kit on the auction site. That was very helpful.Well done, My first prints were no way as good, I used a crappy LPL5700 Enlarger a roller base and Ilford drums, the biggest issue is getting the Chemistry here in Sunny Australia. the other thing that caused me a issue was when my Enlarger bulb Failed !!! it took me 10 sheets to get the filtration sorted again !!! If you can find one Cheap a Color Star Timer/ Analyzer is very useful too. If you keep going with color you may need to locate a roller processor durst made them but as they are getting a bit long in the tooth make sure it is fully working first. Yes GAS can set in......If you need any help drop me a line you will be surprised at what I can remember. One other thing is you can save $$$ buying paper in a roll and cutting it in the dark ....that can be all kinds of fun
Johnkpap
Good job!
I just use trays at room temperature. Works a treat as long as the development time is extended. I use about 90 to 100 seconds.
Amateur is how I describe myself too with regards to photography and darkroom work. Just remember that "amateur" means lover in french, and that's what we are, lovers of the photographic process. I think that in many ways that is just as noble as those who claim to be "artists".I'm just an amateur hack who's fascinated by photographic processes.
The borders are clear white. I couldn't get the white balance correct with my digicam or in the image editing software. It was taken under florescent lighting and it's hard to get the WB correct, even with the florescent setting on the digicam. I developed at 85 F for 100 seconds. It was probably less than that, as my darkroom was close to 60 degrees and I don't pre wet or preheat the drum.Good job!
On the contrast: there's not much you can do about it obviously. RA4 papers are inherently very contrasty these days. Kodak Endura a little more so than the crystal archive you used here.
Are the borders of your print clear white or is there some fog going on? I see some coloration but it may just be the white balance of the digital photo.
On color processors and drums: I have to admit I don't use them. I don't even use a tempering bath. I just use trays at room temperature. Works a treat as long as the development time is extended. I use about 90 to 100 seconds.
The pic was taken under florescent lighting. Even tho the lamp is supposedly a daylight color temperature, I couldn't get the WB correct with the digicam or image editing software.As a first effort it looks pretty good. My first effort was a print of the manneken pis statue in Brussels and it came out looking distinctly greenI take it that this is the 40M +20Y one. I'd be interested in seeing the 40M +40Y as well On my screen the 40M+20Y looks a little too warm and reddish but this may be my perception or my screen as no-one else has mentioned this.
Thanks
pentaxuser
Thank goodness for Fujicolor paper. Honestly, I can't justify a 600 foot long roll of Kodak paper. I just don't do enough printing to pull that off.Brilliant! So good to see other people wet colour printing. I really love B&W printing, but for me, there's nothing more magical than pulling a huge colour print out of the blix and switching on the room lights. Gets me every time.
Happy printing!
Like RPC, I find trays just more convenient.
Kodak Endura also comes in rolls of about 250-300ft I believe. Here in Europe I see 30cm x 80m listed at least.
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