I prefer the same but 90mm. BTW it works beeuuudifooolyroteague said:Schneider Super-Symmar XL Aspheric 4.5/80mm - drool
Whoops, sorry, wrong section.
John McCallum said:I prefer the same but 90mm. BTW it works beeuuudifoooly.
I stand corrected - quite right Robert. More coverage - but slower!roteague said:Isn't the 90 a Super-Angulon XL lens?
jpgarnier said:Hello
Since I posted a previous question regarding lenses and I'm in the market for buying a new lens, I would like to get the groups opinion on what are the lenses that a photographer should have?
If you were stranded on a dessert island with your camera, unlimited film and a darkroom that could do both color and B&W, what three lenses would you absolutely want with you?
JP
jpgarnier said:If you were stranded on a dessert island with your camera, unlimited film and a darkroom that could do both color and B&W, what three lenses would you absolutely want with you?
JP
jpgarnier said:Hello
Since I posted a previous question regarding lenses and I'm in the market for buying a new lens, I would like to get the groups opinion on what are the lenses that a photographer should have?
If you were stranded on a dessert island with your camera, unlimited film and a darkroom that could do both color and B&W, what three lenses would you absolutely want with you?
JP
Tom Hoskinson said:The 610mm Apo-Nikkor I just bought. I'm looking forward to some great 35mm sunrise and sunset shots (and a few with the 8x10 Wehman as well).
John McCallum said:Sigh!
Tom Hoskinson said:Robert,
About 80% of my pictures are taken with wide angle lenses.
For the 35mm format I find myself using lenses in the 15mm - 35mm range.
In the 6x6cm format, I am most often in the 60mm - 30mm range.
With the 4x5, 55mm - 110mm.
In 5x7 and 8x10, 110mm - 240mm.
Of course, on the 8x10, the 610mm is just a long normal focal length lens.
mmmmmm mmmmm ..... boy - you're talking some Rolls Royce Glass there Tom!!!Tom Hoskinson said:Yep John, the 55mm Rodenstock Apo Grandagon.
On the 8x10, the 110mm Super Symmar Aspheric XL is even wider (no movements available to speak of, though).
John McCallum said:BTW I very nearly bought the Nikkor 90/f8, based on its reputation of being one of the sharpest LF lenses available. It was just the f8, and my love of low light that didn't go well together.
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