Anaxagore
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- Jun 1, 2005
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I do not know if this is the right section, so moderators, please move this post to the appropriate section if needed.
I was wondering about people’s experience when taking photos in museums, their respective policies and how they are enforced.. both in the US and Europe, probably also in Asia..
First, museums vs cameras.. I take pictures with my Rollei Hy6, not as a professional photographer but just as an amateur whose family has used Rolleis for a long time and likes their rendition. Yet, it seems that to many museums, the size of the camera classifies me as a professional, and they can either accept that I am not after giving me a strong warning, or not accept it at all… With digital backs or color films that do not go over ISO 800/30°, no flash of course, my pictures will certainly be much blurrier than those made with modern compacts or camera phones, yet museums seem to still consider size a primary factor.. Imagine, I may try selling a blurry photo of what’s in the museum!.. I tried to explain them that not every Porsche driver on the highway is a professional car racer, but they did not want to understand the comparison…
Second, lenses. In a museum I visited last week, on top of giving me the lecture on professional photos, I was told it was forbidden to switch lenses! Again, a modern compact with zoom and CMOS sensor with high sensitivity plus image stabilization would take much better pictures than my camera that does not have all these modern functions, whether I change lenses or not.
Third, regarding the flash. I would never use flash when taking pictures of paintings inside a museum. Yet I have been forbidden to use flash at a classic car exhibition that took place in a museum (although there was no danger of car color fading…), and conversely I have seen many people who did not control their phone properly and took pictures with the phone light, without a word from the guards.
Fourth, backpacks. Although I understand the fear of museums that someone with a backpack turns quickly and bumps over a statue or another visitor, carrying a backpack in the front or holding it by hand is not practical at all, when the museum declines any responsibility for items left at the coat check. The traditional rope barriers have worked well in the past to protect pieces of art by giving enough space around them where people cannot be, so why aren’t they used anymore? And it is everyone’s responsibility to pay attention to whomever may be behind and in front oneself.
All in all, it seems that museums are getting paranoid about photos, for some obvious reasons but with restrictions that make me want to stay out of these places…
Have you experienced similar situations?
I was wondering about people’s experience when taking photos in museums, their respective policies and how they are enforced.. both in the US and Europe, probably also in Asia..
First, museums vs cameras.. I take pictures with my Rollei Hy6, not as a professional photographer but just as an amateur whose family has used Rolleis for a long time and likes their rendition. Yet, it seems that to many museums, the size of the camera classifies me as a professional, and they can either accept that I am not after giving me a strong warning, or not accept it at all… With digital backs or color films that do not go over ISO 800/30°, no flash of course, my pictures will certainly be much blurrier than those made with modern compacts or camera phones, yet museums seem to still consider size a primary factor.. Imagine, I may try selling a blurry photo of what’s in the museum!.. I tried to explain them that not every Porsche driver on the highway is a professional car racer, but they did not want to understand the comparison…
Second, lenses. In a museum I visited last week, on top of giving me the lecture on professional photos, I was told it was forbidden to switch lenses! Again, a modern compact with zoom and CMOS sensor with high sensitivity plus image stabilization would take much better pictures than my camera that does not have all these modern functions, whether I change lenses or not.
Third, regarding the flash. I would never use flash when taking pictures of paintings inside a museum. Yet I have been forbidden to use flash at a classic car exhibition that took place in a museum (although there was no danger of car color fading…), and conversely I have seen many people who did not control their phone properly and took pictures with the phone light, without a word from the guards.
Fourth, backpacks. Although I understand the fear of museums that someone with a backpack turns quickly and bumps over a statue or another visitor, carrying a backpack in the front or holding it by hand is not practical at all, when the museum declines any responsibility for items left at the coat check. The traditional rope barriers have worked well in the past to protect pieces of art by giving enough space around them where people cannot be, so why aren’t they used anymore? And it is everyone’s responsibility to pay attention to whomever may be behind and in front oneself.
All in all, it seems that museums are getting paranoid about photos, for some obvious reasons but with restrictions that make me want to stay out of these places…
Have you experienced similar situations?