RezaLoghme
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Keep what seems to be working for you now. If you and your existing camera(s) are working well together, don't disturb the connection. Because it is the photographer-camera connection that might be described as "ideal", not the camera itself,
If you wish to experiment with alternatives for doing portraiture, experiment with something cheaper. If a 6x6 TLR will work for you, the Lubitel you mentioned earlier will tell you that as well as an expensive GX. And if you get results that you prefer to your Leica(s) from the Lubitel, then it will be worth your while to improve things a bit more with a total switch - assuming you want to concentrate on portraiture to the exclusion of other photography.
But if you are like many of us, and like to use cameras for a bunch of different things, you may be happier having camera choices available to you.
Does it have to be a Yashica or can lesser brand provide the same IQ?
Does it have to be a Yashica or can lesser brand provide the same IQ?
Does it have to be a Yashica or can lesser brand provide the same IQ?
This is from an essentially free (to me) mid-1950s era, consumer market oriented 6x6 fixed lens TLR:
A very satisfying 11x14 darkroom print of this is currently hanging in our Darkroom Group's Gallery Show at the Reach Gallery in Abbotsord, BC.Net Loft Floats #10
- MattKing
- 2
A detail from some of the nets and floats on display at the Net Loft building at the Brittania...
Yes, there are incremental benefits from top line cameras.
Many of those benefits are related to handling, or faster lenses, or brighter and more contrasty viewing and focusing systems, but if you are in experimentation or learning stage, you can get the most important benefit of a larger TLR - the larger negative - from the less expensive options.
First get a cheap TLR and see how you adjust before selling your rangefinder kit. It's a different beast using a TLR. I'd stick with an SLR for portraits to be honest. TLR does fine, SLR does better. Trade the M6 for an SLR style 120 camera.
C, That's your personal opinion. I never cared for the SLR..... I used a Pentax 6x7 and a Rolleiflex with a prism....never stuck with them. I sure preferred the Mamiya 6 MF..... & in the end....a view camera or Rolleiflex on a tripod. Even the P645 I have now...i prefer to use on a tripod & more for landscape/travel than portraits...
In the end, it's the connection, not the camera....
(photo w Mamiya 6 MF/75)
TLR is most certainly not an ideal camera to shoot portraits of people. I'm not even sure what that means. TLR can be used to take portraits though, just like any other type. Result is in the eyes (and hands) of the beholder not in what he holds.
My personal opinion shared by the millions and millions of SLRs that unseated the TLR as the primary camera of the latter half of the 20th century.
Also, can I point out that your model is sitting? Like I pointed out in the other TLR thread, good TLR portraits have the subject sitting or on level with the lens.
My model was standing in an open window....
Millions of amateurs used 35mm SLRs....
Many professionals used TLRs in their studios and on the road.
Let's remember it's not a p***ing match.
Are you significantly taller than the model? I'm medium height and shooting head and shoulders of any adult is tough for me unless I stand on a chair.
As for SLRs vs TLRs. The numbers speak for themselves. I grew up in the 80's and 90's and never saw anything other than an SLR style camera being used in professional settings. Only TLRs I saw were in old movies when the reporters jostled to interview Superman and got beat up by the guy with a Pacemaker.
I'm not knocking TLRs. They're my favorite kind of camera. It's what got me started on my photographic journey. I own a Yashica Mat, Yashica A, Yashicaflex, Yashica 44, Yashica 44 with a crank, Richoflex, RichoSuper44, Rolleicord III, Mamiya C3 and Mamiya C33. I use them all and enjoy all of them but if a client calls that they need a portrait on 120 film I'm grabbing my M645 or Bornica S2.
It's not about a urinary match. It's about reality. Arguably the most famous portrait of my generation was taken on a Nikon FM2 with a 105 2.5. You can argue all you'd like but facts are facts. For the vast majority of photographers the flippy mirror at eye level using a prism is easier to compose and shoot portraits.
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