Bad news in the sheep's clothing, perhaps? That says that the more saturated Provia 400X, which I think is already available in some markets, will replace the more neutral 400F, which I happen to like just fine thank you.
Bad news in the sheep's clothing, perhaps? That says that the more saturated Provia 400X, which I think is already available in some markets, will replace the more neutral 400F, which I happen to like just fine thank you.
Dear David,
On a related point, I always loathed the original Velvia 50 because it replaced my all-time favourite colour film, RF/RFP.
Cheers,
R.
Fuji really seems like a company that listens to their customers (like another one we know, Ilford)
There has been another example recently: Fuji Single 8mm film.
A few months ago it was announced that they would be discontinuing the production of R25N (daylight reversal) and RT200N (tungsten reversal) and the processing service.
In January they announce that due to the feedback they will not be discontinuing the production of the film or shutting the lab, but will be moderninsing the lab and getting the main engineer in the production of the film to train up younger apprentices in its manufacture, before he retires.
Dear David,
On a related point, I always loathed the original Velvia 50 because it replaced my all-time favourite colour film, RF/RFP.
Cheers,
R.
Also, I'm pretty sure it's not just for the UK market.
True enough. I contacted the Australian Fuji offiice back in December when I first read about Velvia II. Their professional film rep confirmed that once their backlog of Velvia 50 is gone they will be selling Velvia II into the Australian market.
I'll post their exact response later on today as I cannot access my hotmail from work.
regards,
Thanasis.
Since when was Fuji making 8mm film recently? And since when was there a 25 ASA film from Fuji? Man I really missed those ones! I would be happy if they just put Velvia 50 II into Super 8mm cassettes so I can use them in my camera with its in-camera meter sans filter.
Yes, I absolutely LOVED the old Fujichrome 50. It lured me away from Kodachrome which I had been using exclusively in those days. (Now I'm back to Kodachrome64 while it lasts--full circle.)
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