I don't believe in cameras without manual modes, personally.
I used a (meterless) Rolleiflex for this roll; I just metered at 1600 using a DSLR, then adjusted by one more stop for each subsequent set of shots. The room has pretty consistent lighting---basically, there's a "bright" area, a "medium" area, and a "dim" area, all about a stop apart---so there wasn't that much information to keep in my head.
Here's the recipe (taken from
http://silent1.home.netcom.com/Photography/Dilutions%20and%20Times.html#Super_Soup, and doubled for a 16-ounce tank):
12 oz. DIH2O
48 ml Dektol stock
16 ml HC-110 syrup (US version)
2 g ascorbic acid
1 tsp. sodium carbonate
More water to 16 oz.
15 minutes developing time, vigorous agitation every 30 seconds.
Yes, that is in fact four separate developing agents: metol, hydroquinone, phenidone, and ascorbic acid. (I suppose I could add some coffee as well...) The negatives look neat; there's just a little general fog, but the blacks are REALLY REALLY BLACK, which makes them look denser on the whole than they are and gives a sort of high-contrast impression, even though the actual contrast range doesn't seem that extreme. Even the edge printing looks blacker and sharper than usual.
It'd be interesting to understand this developer better---my impression is that it was a sort of ad-hoc preparation and has never been really fine-tuned. For instance, I wonder if all those developers are really playing a significant role, or if the boost in pH from the washing soda is really necessary. (This is basically HC-110 dilution A, mixed with Dektol 1+9 instead of water, plus vitamin C, so shouldn't it already be plenty alkaline?)
-NT