the more options you have should you want to crop later on!
There were, of course, "Super Slide" mounts for 6x6 and 6x4.5 frame -- but those wouldn't get 24 exposures from a roll of expensive (compared to the usually B&W or color print) Ektachrome etc.
Funny, I always thought that "super slides" were shot with 127 film and mounted in square mounts the same size as mounts for 35 mm slides.
4cm x 4cm size image on the centre of 120 film.
I second the Isolette L. It's all there, the masks, the finder mask and with Ilford film you even have the stops on the backing paper https://www.120folder.com/agfa_isolette_l.htm
Cropping generally wasn't done on slide film -- the were mounted, full-frame, in projection mounts. Even to get 3x4 slides for 2x2 inch mounts out of 120 would have required a special cutter. Asking the processing lab to crop your slide film would have gotten you encouraged to buy a box of mounts and cut your own film -- that way, you couldn't blame the humans who mounted the frames for getting it wrong.
There were, of course, "Super Slide" mounts for 6x6 and 6x4.5 frame -- but those wouldn't get 24 exposures from a roll of expensive (compared to the usually B&W or color print) Ektachrome etc.
But what if you want to shoot other film than ilford? I don't love that companies make tools that "only work" if you use their products or stay within their ecosystems.
Well thankfully you can put any 120 or 35mm film in a modified camera and expose just the surface that you decide based on the modification.It was the other way around. Agfa had an idea for a special type of film that there were no cameras available to use it with, and the Isolette L was designed with an accessory that would allow its use.
That linked article merely explains how that accessory - which otherwise would be entirely useless due to the long ago demise of that very special purpose Agfa film - can be used with a particular type of current film, because through sheer happenstance the numbering on the Ilford backing paper allows for a kludge that makes it somewhat functional.
Well thankfully you can put any 120 or 35mm film in a modified camera and expose just the surface that you decide based on the modification.
This is frequently done in filmmaking with negative pulldown but most 120 cameras can be modified to shoot "half-frame" 6x3
Yes - but do you have any practical way of ensuring you advance the film the correct amount and keep track of how many shots are left on the 120 roll? That is what the extra dots on the backing paper help with.
Obviously there is a deep misunderstanding. Iford did not make anything for the 6x3 format, let alone forcing people to "stay within their ecosystem". It just happened that I became aware that their backing paper has a marking that marks the middle between two 6x6 pictures. And I wanted to share this information for free. I enjoyed this finding and I used my camera to make nice 3x6 pictures, no tinkering, just the camera as is and an Ilford film. Your reaction nearly makes me regret to tell you about it...But what if you want to shoot other film than ilford? I don't love that companies make tools that "only work" if you use their products or stay within their ecosystems.
Obviously there is a deep misunderstanding. Iford did not make anything for the 6x3 format, let alone forcing people to "stay within their ecosystem". It just happened that I became aware that their backing paper has a marking that marks the middle between two 6x6 pictures. And I wanted to share this information for free. I enjoyed this finding and I used my camera to make nice 3x6 pictures, no tinkering, just the camera as is and an Ilford film. Your reaction nearly makes me regret to tell you about it...
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