I watched at the results and , by my eye , the photo made with the Metz seems at least 1 stop brighter than the one made with the Godox.
I ask how is possible that a modern flash with guide number 60 gives less light than a Metz 45.
That was to be expected, as the Metz probably has more power than the Godox.
Up to about 20 years ago all flash producers gave their GN numbers for
- ISO 100
and
- a reflector position of 50mm.
That is also what the GN of 45 of your Metz is based on.
Later that changed, and some manufacturers started to give the guide number for the max. tele position of the integrated reflector, which of course increases the GN.
It was partly a kind of cheating by some, as at the same time they reduced the real power of the flashes. But the normal consumer did not realized that, because of the increased number based now on the max. tele position, and not on the 50mm reflector position anymore.
Guide Numbers are tricky because they depend on TWO variables. The first if the FILM SPEED. The second is the distance FEET or METERS.
A GN of 100 is meaningless without these details. I suspect this is the discrepancy.
That was to be expected, as the Metz probably has more power than the Godox.
Up to about 20 years ago all flash producers gave their GN numbers for
- ISO 100
and
- a reflector position of 50mm.
That is also what the GN of 45 of your Metz is based on.
Later that changed, and some manufacturers started to give the guide number for the max. tele position of the integrated reflector, which of course increases the GN.
It was partly a kind of cheating by some, as at the same time they reduced the real power of the flashes. But the normal consumer did not realized that, because of the increased number based now on the max. tele position, and not on the 50mm reflector position anymore.
@ericB&W … one of the best (additional) “investments” that you can make would be a flash meter.
The Metz 45 GN of 45 in meter is rated for the 35mm coverage (not 50mm). Unless you have the tele adapter the Metz 45 only has 1 position for the reflector. Most of the newer flashes have zoom head and the GN is often rated for the reflector at maximum zoom. The Godox probably has a GN of about 33-36 in meters with the reflector at 35mm. So it's about 2/3 of a stop less light than the Metz.
I have two, a "professional" Gossen multisix and an "unprofessional" Sheperd ,
I'll make the test tomorrow.
The Metz 45 GN of 45 in meter is rated for the 35mm coverage (not 50mm).
Another thing about modern flash is that they don't have the sensor for automatic exposure control. So if it's not TTL compatible with your camera you only have manual.
Are you referring to the current cheap Chinese flashes from Yongnuo, Godox etc.?
Because for example at least my Metz MZ 54 and Nikon SB-800 have the sensor and can also be used with older cameras.
Neither of the flashes are in production. Count the number of flashes you can buy new today with the built in sensor. You find that there are very few of them. Metz no longer in business. Only Nikon top of the line SB-5000 has that mode.
I know they are out of production.
But so what?
Probably about 90% of equipment products we film shooters use are currently out of production. But the used market is full of excellent modern flashes which give us film shooters all we want, like the two models I mentioned. Flash photography on the highest possible level, including HSS, i-TTL, off-camera flash with slave-function, group flash, fill-in flash and so on.
That why I said "modern flashes" the flashes that we can buy new today don't work as well for our old cameras as the old ones in the past. If you have say something like a Pentax MX or Nikon FM which new flash that you can buy that would be more useful than the old flashes or yester years like even the lowly Vivitar 283? I am talking about the trend of flashes that are being made today.
Modern flashes provide zoom features to widen or narrow the flash pattern, TTL, tilt and swivel to provide bounce flash that works with TTL.
If I remember correctly cameras without TTL can use a TTL strobe and the strobe will cut off the light when it bounces back to the sensor. That made much older cameras able to take advantage of the advanced features of the Vivitar flashes in the 70's or 80's even thought the cameras were much older.
I had no idea that flash modes were this confusing until now…
Flashes that offer TTl ("Through The Lens") reliant auto-exposure as the only form of auto-exposure are totally reliant on there being attached a camera that works with that system. Otherwise, they become manual flashes.
I've always preferred the flashes that supply their own automation. They are often referred to as thyristor flashes, but technically that refers not to their automation, but rather how their automation system minimizes battery drain.
Some of the more advanced auto-exposure flashes offered the ability to move their sensor off the flash - for example to a camera hot shoe - which added a lot of usability for those using bounce flash or light modifiers.
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