Modern f/stops

Curved Wall

A
Curved Wall

  • 1
  • 0
  • 32
Crossing beams

A
Crossing beams

  • 3
  • 1
  • 34
Shadow 2

A
Shadow 2

  • 2
  • 0
  • 42
Shadow 1

A
Shadow 1

  • 2
  • 0
  • 40
Darkroom c1972

A
Darkroom c1972

  • 3
  • 2
  • 74

Recent Classifieds

Forum statistics

Threads
198,830
Messages
2,781,542
Members
99,718
Latest member
nesunoio
Recent bookmarks
0

FM2N

Member
Joined
Jun 23, 2006
Messages
863
Location
Long Island, NY
Format
35mm
Hello All,
I have a Brownie ballbearing lens with the following openings-
US8-near portriat
16-average view
32-distant view
64-marine, clouds, snow
and a mark just past that i believe is 128.
COuld you tell me how to figure out what the equivilent modernf/stops would be?
The focal length at infinity is 7 inches.
I measured as well as I could the openings at each setting and they are as follow
8=14mm
16=12mm
32=10mm
64=8mm
128=6mm
Thanks for your help
Arthur, NYC
 

keithwms

Member
Joined
Oct 14, 2006
Messages
6,220
Location
Charlottesvi
Format
Multi Format
The f/# should be ~7*25.4/aperture diameter, right? So the "8" setting would be f/13 or so, the next one f/15 or so, and the "128" setting would be f/30 or so. I'd be inclined to check this with instant film.
 

Ole

Moderator
Moderator
Joined
Sep 9, 2002
Messages
9,244
Location
Bergen, Norway
Format
Large Format
US stops are simple:

US 16 = F/16

And US 8 = f/11, US 32 = f/22, and so on.
 
Joined
Dec 30, 2005
Messages
7,175
Location
Milton, DE USA
Format
Analog
I'm looking at these diameters and numbers and the size reduction is not a geometric series (base 1.414). The 8 is around f/13 and the 16 is f/15. But as we continue the 32 is f/18, 64 is f/23 and the 128 would be f/28. Not a typical aperture series, but if your diameter measurements are accurate this is the series. Definitely try some test prints first to be sure.
 

Larry Bullis

Subscriber
Joined
May 23, 2008
Messages
1,257
Location
Anacortes, WA, USA
Format
Multi Format
There seems to be some contradiction between the calculations and Ole's post, which is the explanation that my understanding supports. These f/13, f/15, f/30's etc. don't make sense. The US (not United States, you Nacirema, but Uniform System) preceded the f/stop system we use today, phased out around 1909. I have 2 Goerz Dagors marked in these stops, and the way Ole has expressed it has worked for me perfectly in making 8x10 negatives since 1970. Since the Dagor was first released in I think 08, I know these lenses to be among the first of their type. Using the cross at f/16 has not once resulted in an error.

So there has to be some discrepancy, somewhere, either in the measurements, or they simply can't be US numbers. Which is it?
 

keithwms

Member
Joined
Oct 14, 2006
Messages
6,220
Location
Charlottesvi
Format
Multi Format
Arthur, what is your degree of confidence in your measurement of the aperture diameters, and when you measured these, if the system has blades as opposed to drop-in aperture rings (?!) did you measure the max or min diameter between the blades... or an average? And is the 7" focal length known for sure?
 

phfitz

Member
Joined
Dec 26, 2004
Messages
539
Format
Large Format
Arthur,

Ole would be correct, Kodak would have used the US scale or the f/stop scale.
US 8 = f/11, US 16 = f/16, US 32 = f/22, US 64 = f/32, US 128 = f/45
measurements would be optical, not physical AND might be from the rear looking forward thru the lens.

Have fun with it.
 
OP
OP
FM2N

FM2N

Member
Joined
Jun 23, 2006
Messages
863
Location
Long Island, NY
Format
35mm
My measurements are as close as I can get with my ruler. The focal length is 7 inches. I measured by putting the pointer at the appropriate stop and measured across the opening. As soon as the camera is up and running I will try Ole's and Phfitz's f/stops and let you all know how it worked out.
Arthur
 
OP
OP
FM2N

FM2N

Member
Joined
Jun 23, 2006
Messages
863
Location
Long Island, NY
Format
35mm
Thanks for all the help...lastly could you help me find a bulb release for this lens?
Arthur,NYC
 
Joined
Dec 30, 2005
Messages
7,175
Location
Milton, DE USA
Format
Analog
Whitey, that was some great referential info there. I'm curious, why would US1 equivocate f/4? Was that an old aperture extent or something?
 

Whiteymorange

Subscriber
Joined
Jul 27, 2004
Messages
2,387
Location
Southeastern CT
Format
Multi Format
Guessing here. You keep cutting the US in half as you go down, US16 = f/16; US8 = f/11; US4 = f/8; US2 = f/5.6 and US1 would equal f/4. The system wasn't very flexible and seems, for the most part, to have kept to whole numbers.
 

Ole

Moderator
Moderator
Joined
Sep 9, 2002
Messages
9,244
Location
Bergen, Norway
Format
Large Format
At the time the US was introduced, the fastest lenses were f:3.5 Petzvals. So there was simply no need to be able to mark anything faster than f:4 - or US 1.
 

GeorgesGiralt

Member
Joined
Sep 16, 2004
Messages
523
Location
Toulouse, Fr
Format
Large Format
Hi !
I was told that in order to measure the exact opening of the diaphragm of a lens, ons should focus the camera at infinity, and then, without moving the focus, place a piece of B&W paper in the front cap and expose it from the rear (with a spotlight placed at the ground glass). the diameter of the black spot on the paper is an exact measure of the lens aperture as it should be optically.
I wonder if this method is good but I think it is making sense as it use a spotlight at one focal lenght from the lens, and measure the opening as projected...
Maybe one of you can comment and explain this to us ?
 

phfitz

Member
Joined
Dec 26, 2004
Messages
539
Format
Large Format
GeorgesGiralt,

That should work well BUT some lenses will give truely strange measurements that way. Some lenses are measure in the reverse direction or they do not match the aperture scale. Optical illusion of the lens design. Try it front and rear to see which way matches wide open.

Have fun with the hunt.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom