fotch said:How much do you usually save when mixing up developer & fix from bulk chemicals vs. the prepackaged stuff?
fotch said:How much do you usually save when mixing up developer & fix from bulk chemicals vs. the prepackaged stuff?
What would be a good selection of the basic raw chemicals for B&W developers (film & prints) and fix?
What amounts of each bulk chemical should one start off with?
jim appleyard said:I mix my own because I'm an Evil Scientist! Actually, I do it because I like to, because I can mix what I want, when I want and I can mix many formulas from just a few chemicals.
Pick up Anchell's "Darkoom Cookbook", and Anchell & Troop's, "Film Developing Cookbook"; lots of recipes in there, plus a grams-to-teaspoon conversion chart. Sorry Roger, I use the teaspoon method. Scales are no doubt much more accurate, but I've never had any problems with the teaspoon method.
Have fun!
Ole said:The great (and only) advantage is the ability ti mix whatever you want in whatever quantity you want.
BBarlow690 said:I think waste is the biggest cost factor.
Ian Grant said:.........
"And then there's the developers that you replenish, for about 15 years I made up Adox-Borax MQ a great developer slightly faster (film speed), finer grain & better acutance & tonality than D76 / ID11. This was the developer used for the German DIN speed test of films. This worked out extremely economic compared to buying the Ilford or Kodak equivalents. So much so that I was supplying a few commercial photographer friends who were using it in their deep tanks."
Ian I would be interested in the Adox-Borax MQ formula, is it published?
Thanks
Dave in Vegas
Dave Wooten said:Ian Grant said:.........
"And then there's the developers that you replenish, for about 15 years I made up Adox-Borax MQ a great developer slightly faster (film speed), finer grain & better acutance & tonality than D76 / ID11. This was the developer used for the German DIN speed test of films. This worked out extremely economic compared to buying the Ilford or Kodak equivalents. So much so that I was supplying a few commercial photographer friends who were using it in their deep tanks."
Ian I would be interested in the Adox-Borax MQ formula, is it published?
Thanks
Dave in Vegas
Ian posted the formula in the Apug Chemical Recipes:
Adox Borax MQ (there was a url link here which no longer exists)
dpurdy said:A cheap way to get sodium carbonate is to buy it in art supply stores as dye fixative. (pure sodium carbonate) Around here I get it for 6 dollars for 5 pounds.
One of the things I like is making things up already diluted. I don't make developer stock up then dilute. I make it at the final concentration. Stuff goes into solution so much easier this way. I know somebody will tell me this is wrong and stuff needs to age.
I'd not heard of that particular source. A lot of people buy sodium carbonate (monohydrate) as Arm & Hammer Washing Soda. The last I checked, it was $2.19 for 1558.8g in my area, or $1.40/kg. Your source costs $2.20/kg. It's possible your source is purer, though.
How about 1 tablespoon ascorbic acid or sodium ascorbate, 1 tablespoon sodium carbonate, obtainable in quantities of 25 lbs for about $1.25/lb and a teaspoon of metol to make a gallon of print developer about like Dektol?
Look on www.unblinkingeye.com for an article called (capriciously) "Non-chromogenic Antiscorbutic Developers for Black and White" by a looney named Gainer.
For much of our work, a highly accurate balance is not required. If you can find somewhere the April 1973 issue of Petersens Photographic magazine, you will find an article "Kitchen Tested Soups" by the same looney that tells how to make a number of developers using kitchen implements, no balance required.
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