Why don't you tell us what you really think . . .
I'm sure I did.
I have an X-700, X-570, X-370, XG-9, and several others. I use the IR remote to control three XG cameras to take pictures of birds at my feeders. Great gadget -- but it is not an X-700-only accessory.
I use the MD-1 on several cameras -- which was designed for the XG-M (hence the "M").
There are lots of reasons why someone would want an X-700. Top, of course, is the P-mode, but there are only a couple of other features and accessories that are particular to the X-700 -- and few people use these -- so it's not for everyone.
The basic features are the same between the X-700 and the XG-M, with the exception of the programmed exposure mode, OTF flash, AE lock, and a slight difference in the exposure compensation dial. In the XG-M, the dial is limited at the top and the bottom of the film speed scale. For example, at ISO 1600, the exposure compensation dial cannot be set for under-exposure. On the X-700, the film speed range is increased (ISO 12-3200) and the exposure compensation dial can use any setting -- even at the extreme ISO speeds. The X-700 retained the "touch-switch" of the XG series and can use the XG Auto Winder. It can also use the new MD-1 Motor Drive of the XG-M as well as the XG-series data backs. But new optional accessories were added with the X-700 (some of which operated with some of Minolta's later -- and older -- cameras). A new Multi-Function back was introduced ($284, list) with date and intervalometer functions, and new interchangeable focusing screens became available. In addition, a new Wireless Controller to go along with the backs and motor drives was unveiled ($167, list) with remote operation up to 200 feet. The shutter speed on the X-700, in automatic mode, was increased from the 1-1,000 of the XG and XD series to 4-1/000. This matched the range of the earlier XE cameras, but was still below the range of the older XK series (16 seconds to 1/2,000). Similarly, the X-700 used the horizontal, cloth shutter of the XG series and abandoned the vertical, metal shutter of the XD and XE series -- leaving the X-700 with a slightly slower synch speed than some would like (1/60).
There were actually three versions of the X-700, but the model is not inscribed on the camera.
I don't like it much either but it's about the best Maxxum I have. I have the QTsi which is ultra low end and the Maxxum 70 which is also a low end one. The 800si is a high end model but let me put battery in it and see how I like it. From the look of it, it look reasonable not so ugly like the 9xi. I think of all the Maxxum I only want the 7 and 9 but the 7 wasn't made in Japan so I don't like that either. I hope the 9 is made in Japan. But a good condition Maxxum 9 would be more expensive than my pristine F5 which doesn't make sense to me,. Back in 2002 I paid more for my F5 than the Maxxum 9.
Come to think of it. If I were to buy a Minolta now the XE-7 makes a lot of sense. Of course the SRT's are fine but both you and I have them already.
I have the 7XI, 9XI, 800si, 5. 7 and 9. The 7XI and 9Xi are easy to use, only drawback is having to use the function cards for advanced features like auto bracketing. The 9 is a solid camera, heavy, great features, but here in the low desert the viewfinder readout is hard to see in bright daylight. My goto body is the 800si with battery grip, not as many features as the 9, and menu driven, takes more time to set up. Viewfinder readout is much better, and it is lighter than the 9. Right now I have some of the Artista Pan 100 in the 9XI which I am shooting in manual mode. The 5 and 7 will work my few SSM lens, not sure why but I've not taken a shine to the 7. The A9000 is a one of a kind, the only Pro Level AF body with manual advance or choise of motor drive or auto winder. Fussy camera to use, but the Spot and highlight spot meter exposure modes work really well.
Unless you need the top shutter speed of 1/12000 of a second, weather resistance, the XE7 has a lot to offer at much less cost.
I don't like it much either but it's about the best Maxxum I have. I have the QTsi which is ultra low end and the Maxxum 70 which is also a low end one. The 800si is a high end model but let me put battery in it and see how I like it. From the look of it, it look reasonable not so ugly like the 9xi. I think of all the Maxxum I only want the 7 and 9 but the 7 wasn't made in Japan so I don't like that either. I hope the 9 is made in Japan. But a good condition Maxxum 9 would be more expensive than my pristine F5 which doesn't make sense to me,. Back in 2002 I paid more for my F5 than the Maxxum 9.
Come to think of it. If I were to buy a Minolta now the XE-7 makes a lot of sense. Of course the SRT's are fine but both you and I have them already.
The 800si still has that 9xi vibe so I'm not sure I could warm up to it. The Maxxum 7 just looks better to my eyes and seems like it would be a joy to use.
The a-9 is overkill for me.
I've never felt underserved by my SRT101's or 201, but I really like my SRT102 more. The winder is very smooth and easy to wind and seeing the aperture in the viewfinder is a nice touch.
So, I don't need an XE-7 but............I just bought one on the big auction site. I know, after saying I couldn't and wouldn't. But you know what they say, "The best way to get rid of temptation is to yield to it". It was $45 with everything working except an intermittent winder and in great cosmetic shape. I looked up the intermittent winder issue and it looks like an easy fix requiring just a drop of watch oil under the winder lever.
Is a $45 XE-7 worth it? Will I bond with it? I dunno. We'll see. But what a bargain for a camera of this quality.
Meanwhile, I'd really like my Maxxum 7 to work.
I surely hope you could get the Maxxum 7 to work. I really think our Photrio member Andreas Thaler can fix it. He is very familiar with the Minolta stuff and he is good at electronic too. But he is in Austria and I doubt that he would be interested.
Have you checked with any of the repair shops on this list to see if they could repair the Maxxum 7?
Thanks for this link!
FYI... Garry's Camera (which is on that list) does list the Maxxum 7 as a camera he works on: http://www.garryscamera.com/MinoltaAuto.htm
I've sent many a camera to Garry for CLA's and fixing. No complaints.
The IR remote is a nice gadget -- you can control up to THREE cameras with ONE trigger -- but it works on ANY Minolta XG camera, as well as the later Minolta X-xxx cameras (X-700, X-570, X-370, X-9, X-7A...........................) That's nothing special about the X-700.
If you work handheld with 25 ASA film, you tend to want to choose your shutter speed first.
From my experience, if you work with Kodachrome 25 at all, choose a tripod.
What lens are you using on the 9xi? I only have the 28-85mm but may get a 50mm for it.
I like the way the 9xi fits my hands, but it does seem to have a bewildering amount of settings which is offputing to me. Chan Tran did send the Custom card with the camera and that is supposed to be one of the few desirable cards.
I would love to be able to take the focusing screen out to clean out all the mung I see through the viewfinder, but I can't figure out how. I tried and only managed to scratch the focusing screen a bit.
The IR1 comes with 3 different cables: one screw in which works with the XD and X series (not sure, maybe not with the SRT and others?), one for the XK, and one for the later AF cameras which fits still the 7.
I tried out all except the XK version, since I don't have this camera. I sold the cable with one remote, and it got lost in transit...
And yes, MD1 works with the X570, but not the X600 due its large battery compartment.
Yes, it has the same plug as the RC-1000 remote cable. I can pull it out tomorrow and take a photo...I'm not familiar with a cable for the Maxxum cameras. I assume this would use the electronic cable release and work for the Minolta & Sony digital cameras as well.
The 800si still has that 9xi vibe so I'm not sure I could warm up to it. The Maxxum 7 just looks better to my eyes and seems like it would be a joy to use.
The a-9 is overkill for me.
I've never felt underserved by my SRT101's or 201, but I really like my SRT102 more. The winder is very smooth and easy to wind and seeing the aperture in the viewfinder is a nice touch.
So, I don't need an XE-7 but............I just bought one on the big auction site. I know, after saying I couldn't and wouldn't. But you know what they say, "The best way to get rid of temptation is to yield to it". It was $45 with everything working except an intermittent winder and in great cosmetic shape. I looked up the intermittent winder issue and it looks like an easy fix requiring just a drop of watch oil under the winder lever.
Is a $45 XE-7 worth it? Will I bond with it? I dunno. We'll see. But what a bargain for a camera of this quality.
Meanwhile, I'd really like my Maxxum 7 to work.
Nice!
So what was your reason for buying it? Was it peer pressure . . .
Perhaps you should also buy an SR-2 . . .
Minolta SR-2 by Les DMess, on Flickr
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