r-brian said:Firecraker
I had this enlarger. Bought it used in 1990 and sold it 10 years ago when I moved up to medium format. I could not find a 6x6 negative holder for it anywhere at the time. Maybe they are more common in Japan because the picture shows a complete kit. I replaced it with an Omega DII, used for 6x6 and 4x5 B&W.
I loved this enlarger. I did do color on it some but really like the B&W I got off it. In fact, I'm still comparing my printing to it and wishing my DII condenser could produce the same quality. Maybe I need to get a diffusion enlarger too. If everything is working this should be a good enlarger. The downside is the fact that they are older (not as old as my early 1950 DII) and parts and supplies might be hard to get if needed.
Brian
Changeling1 said:Find out what kind of lamps it uses. If it requires the Xeon bulbs, (as in the Beseler/Minolta 45 color-head) you might want to pass as replacements are no longer made and are very difficult to find. Come to think of it,
the Xeon bulbs were made in Japan so you might be able to track some down a little easier than most.
firecracker said:What company makes the "Xeon" bulbs? Do you know?
Meanwhile I did a little research for the replacement of the light bulb, and Toshiba seems to make one. I'm not 100 percent sure about the size and the shape of the bulb, but it's also 100v-150W halogen lamp made for (old) enlargers and projectors, comfirmed by Toshiba's sales rep on the phone. It's priced about 9 bucks per lamp, which doesn't sound right though.
Philips Japan doesn't seem to have this model in its catalogue according to someone at a shop.
firecracker said:Brian, thanks for the feedback. Now, since you're an Omega D2 user and perhaps so used to using it pretty much, I would like to ask you and/or any other Minolta users a few more questions:
What was/is your experience on your old Minolta enlarger? How was/is the durability/stability of the enlarger's column design (compared to the Omega and other robust machines)? Did/does the head shake easily when you raised/raise it high? Also how was/is the alignment? Is it flexible?
r-brian said:Firecraker
As best as I can remember, I never had a problem with stability. The Minolta is not as big and heavy as my DII but it was rigid. I used it sitting on a bathroom counter (something I can't do with the DII) and never had a problem. I feel the Minolta is a well built unit and should work just fine.
Brian
Chan Tran said:Just got some issues of old Darkroom magazine circa early 80's and there is a review for the Minolta color enlarger II. The list price for it was $380. It was only available as a dichroic enlarger. No B&W version available. It's a pretty much conventional, using regular quartz bulb with 3 dichroic filters. No Xenon strobe or anything.
Chan Tran said:Yes i mean regular quartz halogen bulb. I think the bulb that you found should work fine.
John Koehrer said:firecracker,
If you acquire these lamps DO NOT handle the bulb itself.
They're called quartz halogen because the envelope containing the filament is quartz, the gas inside the envelope is halogen.
If you handle the envelope, it will absorb oils from your skin and drastically shorten the life of the lamp. With the search you have made I don't think you want to do that.
Prper handling would be to handle the lamp by the edges of the reflector, not touching the envelope at all. If for some reason you need to handle the envelope cover it with a tissue or kleenex.
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