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Might have a problem...unexpected GAS

That’s true don’t want to do that! He should collect more!

I realized that the problem with that is finding time to actually use it all.

Then I resolved to sell the least used items, and managed to sell some of that lot.

Then I realized that I have a deep emotional connection to stuff I almost never use.

I am in existential crisis.

(Anyone want to buy a really, really nice Mamiya 645 system? Hurry, before I change my mind.)
 
I sold a trendy digital camera to a good friend last week. XPro3 and all my Fuji glass. Never been so happy, both of us. Now I can keep up with my Nikon Ai-s GAS
 
I sold a trendy digital camera to a good friend last week. XPro3 and all my Fuji glass. Never been so happy, both of us. Now I can keep up with my Nikon Ai-s GAS

Yah. Digital has always been nothing more than a reckless snapshooting convenience for me, even when shooting with my Nikon D2x.

Only film makes me feel like I am doing something serious and worthwhile.
 
One does reach a point when, after experiencing and acting on GAS, that one does not get tempted by GAS. After I obtained all the Hasselblad lenses that I wanted, I am no longer tempted by other Hasselblad lenses. For example the Makro-Planar f/4 120 mm when offered does not move me in the least. Even the Makro-Planar f/5.6 135 mm with a variable length extension tube does not tempt me. So the lesson learned, if one gives in to GAS completely, the GAS does go away.
 
Yah. Digital has always been nothing more than a reckless snapshooting convenience for me, even when shooting with my Nikon D2x.

Only film makes me feel like I am doing something serious and worthwhile.

I do not have a digital camera, iPhones do not count for this discussion, and I feel the same way. There are many more that strongly prefer digital over film. Whatever floats ones boat so that one can sleep at night. All is good.
 
Yah. Digital has always been nothing more than a reckless snapshooting convenience for me, even when shooting with my Nikon D2x.

Only film makes me feel like I am doing something serious and worthwhile.

I feel much the same way, but every now and then I see something in digital that makes me surprise myself. So good work is certainly possible, I just don't have enough lifetimes to master this medium.

My observation is that digital forces me to think differently in three dimensions:

  • It's color not monochrome. Yes, I know you can desaturate, but digital is an innately color process.

  • It acts a lot more like color transparency film than negative films, particularly as regards to exposure control.

  • When I shoot monochrome film, I am trying to anticipate what the result will look like on silver paper - a reflective surface. With digital, I am trying to anticipate what an image will look like on a screen - a transmissive surface.

I am saving my serious digital exploration for the age when I can no longer hump around a backpack full of camera, lenses, and sheetfilm holders and/or cannot stand for 5 hours in the darkroom ...
 

I think what you are trying to say is that one does eventually run out of GAS ...