tjaded
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Hi all--
Just curious if anyone collects the plain jane metal film canisters. I have a bunch of the cool Kodak ones in various colors, but I recently got a bag of the bare metal ones. I'm going to keep a couple of them, but I have something like 40 of them now.
When I was a kid we collected them , then went to the drug store bought salt peter and a few other materials , I wasn't the chemist in the group. We drilled a hole in the top put in a wick filled the cannister with our mixture.
We then used a very long heavy duty tube, rammed into the ground with a hole for the wick , placed the cannister at the bottom of the tube wick exposed outside the tube , filled the tube with rocks and gravel and light the wick.
We could send the rocks flying over the house onto the road and really raise havic with these little devices.. Funny how I ended up in this business.
As I recall, the painted ones were for color film and the plain ones were for B+W. I'm not sure about this, and wonder if it's correct.
I like the 120 cans, too.
Hi all--
Just curious if anyone collects the plain jane metal film canisters. I have a bunch of the cool Kodak ones in various colors, but I recently got a bag of the bare metal ones. I'm going to keep a couple of them, but I have something like 40 of them now.
I don't remember any 120 in cans. What film came in these?
So, B&W was in the plain containers and the color was in the painted ones?
That kinda helps my search! A couple months ago, I acquired a camera with some film with it. (not in it) It is a steel container that has "Ansco 35mm Film" stamped on top of it. However, inside the roll says (Ansco Color, Daylight Type, 20) Any idea how to develop this? ( if it is even develop-able) It is probably from the 50's or 60's.
I've heard that the best bet is Standard Dev. in Rodinal. Anything else?
jcorll;
In the early Fifties while stationed in England, Anscochrome was introduced with the fantastic speed of ASA 32. To get it processed we had to send it to Switzerland. One of the photo mags said it could be developed in the same chemistry as the old Ansco Color.
The formula was printed in the British Photographic Journal Almanac and the magazine showed the dev. times also for pushing the Anscochrome to ASA 125.
We successfully processed many rolls using this information.
If the Ansco Color film were mine I think I would just
display it as the way things were.
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