The bigger issue is remembering the sequence of unlocking the double exposure prevention and recocking the shutter after using the cable release, as Hunter_Compton mentioned.
Of course you don't need to use a cable release. Just use the shutter button if you want.
Not sure what you mean here. The sequence: fire shutter with cable release. Press shutter button until it clicks. Wind forward to next frame. This will cock the shutter as with any other shot.
The click on pressing the hsutter button after firing the shutter is the wind lock releasing. NOT the shutter firing a second time.
I tend to forget to press the shutter button after using the cable, also. And I need to run down a checklist in my head when loading, and recently got a blank first frame from not checking shutter cocking on loading. I'll say it again- the Medalist was designed by Rube Goldberg and Buck Rogers on a Scotch bender.After a couple of times, you'd think I would figure it out.
Dan, The reason for wanting to use the cable release here is that the Medalist I locks out the body release when the accessory sheet film/ground glass back is used.
The Medalist I has an infinity lock on the body shutter release so that it can't be pressed when the camera is focused back past infinity.
It also has the ability to re-calibrate the focus scale and rangefinder when the accessory back is used to account for the film plane offset.
However, it does not re-calibrate the infinity lock when the accessory back is used, so with the focusing helical being further back, the body release is now locked out at around 4 feet and further. You can press the body release down to unlock the film advance, but it won't fire the shutter.
So, practically speaking, you have to use a cable release to fire the shutter while using the accessory back, then once the exposure is made press the body release to unlock the film transport and wind on.
I believe the Medalist II removed the infinity lock out to alleviate this issue, but don't quote me on that, as I don't have a II to compare.
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