I am not disagreeing, but I am seeing other possibilities beyond your statement. The totality expressed in an instant by Haiku can be awesome. Well, almost instant...it takes 17 (or less) on (syllables) to get there...not much longer than it takes to take in a visual piece of art. Then there is the photographic work of Duane Michals, who takes photography into the sequential world of the poem and short story.
The artist is always critcal of the art critic. The non-artist is always critical of the artist. No one is critical of the non-artist but their wives, thus they live in bliss.
No. If the meaning (generally or to you) of a work of art cannot be verbalized, it means you do not have a clear understanding of such meaning either through lack of interest, education, or intellect, or you are inarticulate. This all sounds like some pseudo-Zen nonsense masquerading as cogent thought.
Not angry in the least, though I don't suffer fools gladly. I thought my post was right on point, responsive to the post quoted.Sounds like you're unhappy when asked to think Are you posting here simply out of anger?
+1Meaning is all subjective OP.
Someone said my photo was of illegal aliens living on the street. Another said it was occupy style protest.
What is 'In the Shadow of City Hall' ?
It is a homeless tent encampment in L.A. I shot through my windshield while driving to the airport.
Then intellectuals have to mentally masturbate the photo many a time. I just freeze time and document my world. The photo should stand on itself.
Terribly incorrect. I paint and have sold many paintings in various galleries and exhibitions. I’ve only recently come to photography. Photography, for me, is much more difficult than painting. In a painting, you can control everything. In a photograph, most things are beyond your control. This is why you rarely see a photographer who transcends beyond the realm of mediocrity. Photography isn’t generally as highly regarded in art circles as painting not because it’s easier to do, but because it’s harder to do well.
Painting and drawing are skills. Virtually anyone can learn them. But for some reason, there are a ton of people out there who spend an afternoon trying to draw something, give up in frustration, and then proclaim that they don’t possess the natural talent to ever be able to do it. The truth is they can learn just like everyone else who can draw well learned to draw, but they lack the discipline to put forth the effort.
Everyone can learn to draw or paint, agree, even if it is the Bob Ross way. Everyone can learn to use a camera and everyone can learn to play a tune on a violine.
But virtuous playing, painting takes more than skill. It takes talent.
I can sketch, draw, paint and sculpt, but I choose to photograph.
Why would understanding lead to devaluation? Throughout history the majority of artwork of any kind was made and understood by its audience to have specific meanings. Without meaning, ancient fertility figures would just be lumps of clay (instead of pleas to the gods), Caravaggio’s “David” would just be a gruesome scene (instead of a plea for forgiveness), J.M.W. Turner’s “The Slave Ship” would just be smeared paint (instead of a call to freedom), and Picasso’s “Guernica” would be a bad cartoon (instead of a light shining on the horrors of fascism). Symbolism has long been an effective tool to communicate meaning in a piece of artwork so that’s its value extends beyond its aesthetics. So have titles. A title of a work can alter or expand its meaning and enhance its power. As can a description.
The idea that a work of art can exist on its own without meaning is a relatively recent idea. If anything, I’d argue that if the meaning of a work of art can’t be verbalized, then what was the point of it? Is it just decoration? Is it an advertisement for one’s technical prowess? If a photograph was created without meaning, and viewed without meaning, then what separates it from the wall it hangs on?
most are complicated pranksters, no matter the media. the staid conservative "artist" is usually like margaret dumont in a marx brothers movie ..On the other hand, some painters involve all sorts of tangential, long-winded, obscure concepts, some have intended instruction, some are complicated pranksters
A creative act isn't a flash, it's a process. IMO.
most are complicated pranksters, no matter the media. the staid conservative "artist" is usually like margaret dumont in a marx brothers movie ..
the bleeding the creative energy until it is depleted making 50 identical works of art that go well together is the process .
the idea / inspiration &c is a flash. unless ... it isn't
I didn't read every post here but just would like to say while discourse expresses intelligibility (meaning) it is accomplished through interpretation and the logic behind it, assertion, which has propositional structure. To have propositional structure is to first grasp and deploy a concept or fore-understanding. So interpretation is an act of understanding made explicit by understanding it as something. However there is understanding that is missing the "something" that can not be made into assertions or put into description; a pre-interpretative understanding. In other words there is understanding that has propositional content (interpretation, assertion) and understanding that does not and the former seems to be derived from the latter. To put this another way, the argument is that there is a level of intelligence that is not conceptually mediated, that can not be captured in discourse. Take for example any practice or craft with a refined and sensitive set of skills. Can all that which goes into a work of art be deconstructed with a set of assertions? Isn't there a theory for everything? Well some construction is possible (self driving cars for example) but for more refined and sensitive practice it doesn't look promising. What we do we can do because we know-how not because we know-what and our ability to function is not based on vast body of rules and facts that can be described as a theory. So if someone is at a loss for words it is likely correct they are at a loss for meaning but not understanding.
I have found that most often when someone is unable to articulate a meaning either there is no meaning, or he does not understand the meaning. Understanding requires a subject. But this is largely an issue of epistemology and metaphysics, and beliefs differ.I didn't read every post here but just would like to say while discourse expresses intelligibility (meaning) it is accomplished through interpretation and the logic behind it, assertion, which has propositional structure. To have propositional structure is to first grasp and deploy a concept or fore-understanding. So interpretation is an act of understanding made explicit by understanding it as something. However there is understanding that is missing the "something" that can not be made into assertions or put into description; a pre-interpretative understanding. In other words there is understanding that has propositional content (interpretation, assertion) and understanding that does not and the former seems to be derived from the latter. To put this another way, the argument is that there is a level of intelligence that is not conceptually mediated, that can not be captured in discourse. Take for example any practice or craft with a refined and sensitive set of skills. Can all that which goes into a work of art be deconstructed with a set of assertions? Isn't there a theory for everything? Well some construction is possible (self driving cars for example) but for more refined and sensitive practice it doesn't look promising. What we do we can do because we know-how not because we know-what and our ability to function is not based on vast body of rules and facts that can be described as a theory. So if someone is at a loss for words it is likely correct they are at a loss for meaning but not understanding.
the attempt to give meaning to a photograph is merely a bourgeoise attempt to elevate shite to art by subterfuge of rambling bullshit to make a photo of say, a cidarette butt on the ground some sort of abstract art piece.
Here’s some shite for you. Penn and The Met seemed to find some meaning in the butts elevated to art.the attempt to give meaning to a photograph is merely a bourgeoise attempt to elevate shite to art by subterfuge of rambling bullshit to make a photo of say, a cidarette butt on the ground some sort of abstract art piece.
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