Concur! "Meaning" in a photograph or any other kind of picture, is what the viewer thinks it means, no matter what the maker intended or did not intend.. Any consciously putting "meaning" in a picture can and usually does kill the picture. Many people, including myself, despise being preached to by a picture!........Regards!Photographs never have "meaning."
Meaning is the notion of a viewer.
Photographers cannot put "meaning" into photographs, but they sometimes imagine that's what they're doing, especially when their photos involve words, flags, crosses etc..
Looking for "meaning" in photographs is a technique some folks use to avoid viewing it with silent mind.
Concur? Disagree? Your thoughts?
No. If the meaning (generally or to you) of a work of art cannot be verbalized, it means you do not have a clear understanding of such meaning either through lack of interest, education, or intellect, or you are inarticulate. This all sounds like some pseudo-Zen nonsense masquerading as cogent thought.If the "meaning" in your photographs can be verbalized, doesn't that reduce your photographs to mere visual aids?
If you can verbalize a photograph's meaning (with an essay, poem, turn-of-phrase, single word), does that reduce the value of the photograph?
If you are assigned to write the meaning of a work of art, a poem, a passage of music, have you been assigned to go away from that work?
If "meaning" of anything can be verbalized, what was the point of that anything-thing in the first place?
If ...No
If...No
If...No
If...just different forms of art. Some use the spoken word, some are visual.
Why would understanding lead to devaluation? Throughout history the majority of artwork of any kind was made and understood by its audience to have specific meanings. Without meaning, ancient fertility figures would just be lumps of clay (instead of pleas to the gods), Caravaggio’s “David” would just be a gruesome scene (instead of a plea for forgiveness), J.M.W. Turner’s “The Slave Ship” would just be smeared paint (instead of a call to freedom), and Picasso’s “Guernica” would be a bad cartoon (instead of a light shining on the horrors of fascism). Symbolism has long been an effective tool to communicate meaning in a piece of artwork so that’s its value extends beyond its aesthetics. So have titles. A title of a work can alter or expand its meaning and enhance its power. As can a description.If the "meaning" in your photographs can be verbalized, does that reduce your photographs to mere visual aids?
If you can verbalize a photograph's meaning (with an essay, poem, turn-of-phrase, single word), does that reduce the value of the photograph?
If you are assigned to write the meaning of a work of art, a poem, a passage of music, have you been assigned to go away from that work?
If "meaning" of anything can be verbalized, what was the point of that anything-thing in the first place?
Photography is the artform for the talentless.
Terribly incorrect. I paint and have sold many paintings in various galleries and exhibitions. I’ve only recently come to photography. Photography, for me, is much more difficult than painting. In a painting, you can control everything. In a photograph, most things are beyond your control. This is why you rarely see a photographer who transcends beyond the realm of mediocrity. Photography isn’t generally as highly regarded in art circles as painting not because it’s easier to do, but because it’s harder to do well.Photography is the artform for the talentless.
If I had the talent to paint, I would throw away my camera.
Photography can by a technique to express and visualization of art. I think David Lachapelle is a good example of an artist using photography to grasp his art. The art is only the fixation of the real art, and that is the scene itself.
Sure, pictures can be meaningful and pictures can be pointless as well. Some pictures are so strict there is no possible interpretation, other leave everything to the viewer.
Searching after the meaning of photography or a photo is pure Monthy Python.
Photographs never have "meaning."
Titles can just as easily limit or restrict meanings. I am not a big fan of titles, though I do understand their necessity commercially. I'd rather give information surrounding the images in a brief artist's statement than try to make up titles for 20-30 images in a series. I tend to be descriptive when a title is required.A title of a work can alter or expand its meaning and enhance its power.
Agree. I consider titles to be an important part of a work of art, with "No Title" being a valid 'title' which still gives information to the viewer to use when looking at the photograph. My titles are usually a simple description, place name, and sometimes date. Something easily ignored if one perfers no titles, and enough for those who like a little information to help them digest an image. On a rare occasion an image might get a more specific title. The image below is about as "out there" as I get with a title...Mistaking the Map for the Territory, Yosemite National Park. (Gowland PocketView 4x5, 150mm/5.6, TMax100, 16x20 silver gelatin print)Titles can just as easily limit or restrict meanings.
I am not disagreeing, but I am seeing other possibilities beyond your statement. The totality expressed in an instant by Haiku can be awesome. Well, almost instant...it takes 17 (or less) on (syllables) to get there...not much longer than it takes to take in a visual piece of art. Then there is the photographic work of Duane Michals, who takes photography into the sequential world of the poem and short story....In a way, writing can not reproduce the content and expression of a painting or photograph because writing cannot express everything at once. On the other hand, a photograph or painting cannot introduce elements in such a sequential way as a poem or novel...
Photography is the artform for the talentless.
If I had the talent to paint, I would throw away my camera.
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