Do you mean for 616/116 film? I can cut the film to that length, however I don’t have any backing paper, so you would either need to send me some, or I would send you just the film. If you want longer lengths of film, such as for 70mm cassettes, you may want to look into getting the film from the eBay seller I use directly. I can send you a link to some 70mm film that will work well in those if you are interested. Do let me know your thoughts.What about 70mm bulk rolls?
thank you!Added a date to the thread in case someone finds it years from now.
Good luck with this project, I hope it succeeds!
This is definitely good information. 200 ISO in HC-110 A for 10 minutes works well for me, though 100 ISO in HC-110 A for 8 minutes also works, with slightly less grain. Each to their own taste, though.By the way, I had bought two 90mts unperforated 70mm rolls so far and had great results with it. Tested at 25, 40, 50, 80 and 100 ISO and liked 100 ISO the best.
I've used F76+ and POTA developer. Used POTA when I wanted more moderated contrast and F76+ when I want a more dramatic look (although the contrast is still pleasant). For development I use gentle agitation each minute to control .
Tried to use it at 200 ISO but so far haven't liked the results so sticking to 100 ISO.
Yep, it’s on the thinner side, but thankfully it’s not tissue paper thin. Just gotta be a bit carful.Yes very interested. This film KINKS really easily, which creates crescent moons on the latent image. So it is a PITA to handle carefully, but pretty easy to do.
120/220 rolls are ready to load in the camera and shoot. They also have stickies on both ends, so no need to fiddle with rubber bands or anything (although it may be a good idea to bring some anyway, never a bad idea to be prepared just in case).I'd be interested in getting some 220 rolls, are they ready to use or do I have to roll it up in the dark?
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Yes very interested. This film KINKS really easily, which creates crescent moons on the latent image. So it is a PITA to handle carefully, but pretty easy to do. I'd be interested in getting some 220 rolls, are they ready to use or do I have to roll it up in the dark? I'm cutting my 9.5" roll, it makes perfect 18x24cm, with only one cut. And the 18x24cm makes a beautiful contact print (nice black border) on 8x10 silver paper.
So this is a cool timely thread
This is definitely good information. 200 ISO in HC-110 A for 10 minutes works well, though 100 ISO in HC-110 A for 8 minutes also works, with slightly less grain.
Yep, it’s on the thinner side, but thankfully it’s not tissue paper thin. Just gotta be a bit carful, thankfully.
120/220 rolls are ready to load in the camera and shoot. They also have stickers on both ends, so no need to fiddle with ribber bands or anything (although it may be a good idea to bring some anyway, never a bad idea to be prepared just in case).
Definitely get some HC-110 now, the Kodak stuff is about to become unobtanium. Though I’ve heard substitutes like FPP110 and LC-110 work just as well, thankfully.Thanks for the HC-110 info. Will get some and give it a shoot. Would really like to use it as 200 ISO film.
Do you mean for 616/116 film? I can cut the film to that length, however I don’t have any backing paper, so you would either need to send me some, or I would send you just the film. If you want longer lengths of film, such as for 70mm cassettes, you may want to look into getting the film from the eBay seller I use directly. I can send you a link to some 70mm film that will work well in those if you are interested. Do let me know your thoughts.
thank you!
Well I guess there is plenty of cameras that use 220 (Mamiya C330 and 6x7), Kiev 6, Yashica 124g, Bronica ETRS, etc. So getting a cheap 220 roll make shooting sessions a lot easier.
I just created a user on here after a long while of lurking just to fill out the form - I'm very interested in some 220 rolls for my beloved Rolleiflex SL66
Too bad it's not aviphot pan 80. The 200 doesn't interest me so much and the 80 has so much better grain and sharpness.
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