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- Jan 27, 2011
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- 35mm
off you go then.
But you're approaching this from the perspective of someone who gets a high from film. We tend to look back at the pre-digital photo era and glorify it because we are into it. But for the vast majority of people it was nothing more than the only way to make photographs. They happily moved to the convenience of digital as soon as it was a viable alternative. Rather than getting a high from making pictures using film/darkroom, I suspect at this point the vast majority of people (including pros) would simply find it inefficient, cumbersome and severely limiting.
hi xo -
i agree with you, we are all envoys .. but even the die-hards who
i see when i am out and about with either a hand held camera or a giant
cloth over the head view camera, seem to smile and remember the good old days
and want nothing to do with it anymore, or say " yeah i should get back in my darkroom again"
( and 5-9 months later i see them again and they haven't, but have bought a nice convenient leica)
its OK, it doesn't matter to me anyways, , swim upstream, the film companies will be around, or try to at least
for as long as they can ... silver is ultra cheap now because of banks hoarding it, so hopefully film companies are taking advantage
of this and stockpiling silverand when the party's over and film and paper cant' be purchased anymore, it will be like it used to be ..
where the real die-hards will make their own, have fun, and even their snapshots will have more value to them, and to their sphere of people around them
because it is out of the usual, takes more effort, skill, patience, money, to do "stuff"
personally, i think if there was a huge boom in people using color film ( which is what most people want anyways ) it will be a problem
because people are lazy, they don't want to have to deal with searching down someone to develop their rolls ( even though google makes it easy )
they don't want to have to deal with sending it to fuji and maybe not getting film back &c seeing most of the processing infrastructure has been dismantled ...
it will just cause a bunch of negativity ( sorry for the bad pun ) seeing they bought this expensive film, and no one's left to process it ...
i'm lucky, i have a great lab down the street, she can process and make prints ... not so sure everyone is blessed with someone local ...
YMMV
Film manufacturers like Kodak are listening and putting great effort into film marketing. That's the reason pieces such as this
get published.
No, the product is undoubtedly designed and produced in some slave-wage country and marketed using the "Kodak" logo. Which allegedly has some value.You mean Kodak has designed a product to meet the special needs people with smart phones?...
No, the product is undoubtedly designed and produced in some slave-wage country and marketed using the "Kodak" logo. Which allegedly has some value.
Such is the hope of Kodak. Whether or not that is a correct assumption remains to be seen....the Kodak brand is a valuable branding for those looking to get a brand logo on their products...
However, the market you describe in this thread, young students, probably don't know the Kodak brand at all. I suspect that, for selling to them, it will be about as valuable as "Polaroid," which has no more meaning on the various junk it's licensed to....in the case of the selfi stick, the designers of it most likely applied to Kodak to put the Kodak brand on it as a means to sell to a larger market using a highly well known brand logo...
Film is for those that want to be photographic film artists. These artists will learn and do whatever it takes to produce their works of art using photographic film and photographic film processes. Please make a mental distinction between average photographic consumer and not so average photographic film artists.
Such is the hope of Kodak. Whether or not that is a correct assumption remains to be seen.
However, the market you describe in this thread, young students, probably don't know the Kodak brand at all. I suspect that, for selling to them, it will be about as valuable as "Polaroid," which has no more meaning on the various junk it's licensed to.
sorry i don't understand what you said at all ..
Here's an idea that came to me with reading a couple of other threads here on Kodak and Fuji and seeing people guessing why Kodak and Fuji both do not seem like they are willing to spend any money or campaign and increase film sales in the face of the overwhelming numbers of digital consumers and the digital devices and products that these consumers are addicted to buying and using. Basically, these huge corporations are not marketing their film products because they do not feel the money spent will produce the desired return on investment is dollars spent in advertising. This needs to change.
sorry i don't understand what you said at all ..
it isn't the artists that carry a company
consumers do all the heavy lifting
especially consumers who think they
are artistic ...plenty of consumers
have an artistic bent ...
sounds fun,
good luck with that !
I don't need luck. Just need marketing and advertising to educate consumers that film photography is the better option.
hi xo -
i agree with you, we are all envoys .. but even the die-hards who
i see when i am out and about with either a hand held camera or a giant
cloth over the head view camera, seem to smile and remember the good old days
and want nothing to do with it anymore, or say " yeah i should get back in my darkroom again"
( and 5-9 months later i see them again and they haven't, but have bought a nice convenient leica)
its OK, it doesn't matter to me anyways, , swim upstream, the film companies will be around, or try to at least
for as long as they can ... silver is ultra cheap now because of banks hoarding it, so hopefully film companies are taking advantage
of this and stockpiling silverand when the party's over and film and paper cant' be purchased anymore, it will be like it used to be ..
where the real die-hards will make their own, have fun, and even their snapshots will have more value to them, and to their sphere of people around them
because it is out of the usual, takes more effort, skill, patience, money, to do "stuff"
personally, i think if there was a huge boom in people using color film ( which is what most people want anyways ) it will be a problem
because people are lazy, they don't want to have to deal with searching down someone to develop their rolls ( even though google makes it easy )
they don't want to have to deal with sending it to fuji and maybe not getting film back &c seeing most of the processing infrastructure has been dismantled ...
it will just cause a bunch of negativity ( sorry for the bad pun ) seeing they bought this expensive film, and no one's left to process it ...
i'm lucky, i have a great lab down the street, she can process and make prints ... not so sure everyone is blessed with someone local ...
YMMV
But you're approaching this from the perspective of someone who gets a high from film. We tend to look back at the pre-digital photo era and glorify it because we are into it. But for the vast majority of people it was nothing more than the only way to make photographs. They happily moved to the convenience of digital as soon as it was a viable alternative. Rather than getting a high from making pictures using film/darkroom, I suspect at this point the vast majority of people (including pros) would simply find it inefficient, cumbersome and severely limiting.
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