To me, Magnum is an agency of the highest calibre. From Capa and HCB, to the great photographers in the agency today,
their level of professionalism has never strayed from their original point of being.
I am personal friends with at least 6 of them and 3 of them have mentored me for close to ten years. I don't desire joining Magnum, but I am counting on improving upon my work significantly enough in the coming years to be what many might consider a candidate.
Magnum is pretty good, I like the caramel one best.
While on assignment in S.E. Asia for three months I was given the nickname "Magnum" by my writer.
Not because the photographs I were producing were of that caliber but that the ice-cream bars were fairly ubiquitous throughout the region and I was obviously addicted to them.
While on assignment in S.E. Asia for three months I was given the nickname "Magnum" by my writer.
Not because the photographs I were producing were of that caliber but that the ice-cream bars were fairly ubiquitous throughout the region and I was obviously addicted to them.
The thing is, Magnum isn't based on traditional photojournalism in a professional sense any more, it's a broader art house, street, documentary agency. This isn't a criticism by the way, I think it's more genuinely reflective of what's out there in terms of high quality photography, but I don't think membership is an appropriate aspiration for most working pro's. In the case of Magnum photographers like Martin Parr or Trent Parke, their best work was personally driven and had no reference to "professional" photography in any meaningful sense, it was an entirely artistic enterprise.I am not even remotely suggesting they are considering me one of their own & I hardly think that any of them does as far as the collective goes. I am just saying I have gotten to know a few of them reasonably well and in the case of a couple in particular, well they are my check and balance system as to how I am doing in my work in the large scope of things.
I have long held the belief that if you are more than just a "serious photographer" in the enthusiast sense, usually a professional in every sense of the word, you absolutely have to have a means to stay calibrated to the very best work that has ever been produced, whether that work is from 5 minutes ago or 50 years ago.
It's not just about the elite air in how Magnum is often perceived or the obvious benefits one could utilize in the association in self promotion. It is also equally important to me to often refer to them in much of the dialogue I have in either my own mentoring of young photographers or people I may be in passing conversation with as to why....in an age where the photograph is now as common as the thoughtless spoken word, photography should remain important.
It's part self preservation and part having my deep respect for the monetary and social value of the power of photography to continue to shape, inform and inspire our kind just as much in the future as it has in the past.
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