Hi Heather,
I have been working with this film to produce copy negs by reversal, and treat it like sensitive paper. I use two Duka 50 safelights with the red filters fitted; and at a fifth of their maximum intensity, they test safe for the Maco Genius in excess of twelve minutes.
On the dry side the safelight is partially direct, and about three feet from the working surface. At the wet bench the safelight is only about a foot from the developer tray, but is directed away from the tray and up a light coloured wall for indirect light.
I don't develop by inspection, but I feel this would be perfectly feasible with this film, and red safelights, as long as they are not too bright. For example; a safelight test with my dry side safelight at maximum output caused fogging of the Maco Genius at four minutes.
I had tried working with the white diffusers on the safelights, which gives a yellow/orange light (the lamps are sodium vapour), but had fogging even with short exposures at low intensity.