Ah well, nothing is perfect I guess. Just getting around to developing a few rolls from my recently purchased M3, and I noticed a problem. The negatives all have an underexposed band, 2mm wide, on the far right side - which is the far left side in camera. I opened the back an fired a few shots on B. Sure enough, I can just make out the first shutter curtain slowing down on the last 2mm of its travel. You wouldn’t see it unless you were looking for it.
What is the cause of this? Is it the shutter brake? I don’t know enough about Leica shutters to be certain, but I’d like to describe it to the shop I bought the camera from. Anyhow, let’s call this Problem #1, because…
I also noticed another curtain issue, which I’ll call Problem #2. When the shutter is set to 1 second, I can see the second curtain creep maybe 2mm into the frame on the right side during the mechanical delay, just before it releases to close. Seems to be happening at 1/2 second as well, but it never enters the frame. What is the cause of this?
Other than this, the frames are evenly exposed and speeds seem accurate.
Hopefully these are minor issues that can be worked out easily. I rather like the camera, but I’m also not irrationally attached to it. So, strike #1. On #3 I’ll just go back to my big, heavy Nikons.
What is the cause of this? Is it the shutter brake? I don’t know enough about Leica shutters to be certain, but I’d like to describe it to the shop I bought the camera from. Anyhow, let’s call this Problem #1, because…
I also noticed another curtain issue, which I’ll call Problem #2. When the shutter is set to 1 second, I can see the second curtain creep maybe 2mm into the frame on the right side during the mechanical delay, just before it releases to close. Seems to be happening at 1/2 second as well, but it never enters the frame. What is the cause of this?
Other than this, the frames are evenly exposed and speeds seem accurate.
Hopefully these are minor issues that can be worked out easily. I rather like the camera, but I’m also not irrationally attached to it. So, strike #1. On #3 I’ll just go back to my big, heavy Nikons.