I can't help you with a place to find the stuff. I can say that you're not missing much if you don't. It curls like heck (the 120 format worse than the 35 mm.), has terrible anti-halation characteristics, and isn't sharp. In short, it's pretty crappy film.
My stock of the stuff came straight from Hong Kong when a friend brought back a couple dozen rolls for me. I still have a few rolls left. Of all that film, only two negatives were worth printing. Go figure.
You can get it from Silverprint in the UK (APUG sponsor) http://www.silverprint.co.uk/
Not sure about an American supplier, but several evilbay shops have it.
Like people have suggested it suffers from halation, but can give a nice dreamy look on certain projects.
Mark
At $16 plus $10 S&H for 10 rolls of 120 I thought it was worth it for experimentation and relearning developing skills: name brand 120 film usually runs about $6-8/roll down under, and shipping that far from B&H is steep.
I loved the 400 iso emulsion and found no quality defects either. Great in Pyrocat. Beautiful for portraits. I attached a photograph I made with the 35mm stuff about two years ago. Printed on Mitsubishi Gekko RC paper in regular Ansco 130 1+3. Low contrast lighting, where I built contrast in the film developer.
I got mine directly from a Hong Kong seller, along with some Shanghai 100 for 120 and some Era 100 4x5. I haven't shot the Era yet, but the Shanghai has been interesting stuff. The one roll of Lucky I tried was a bit of a disaster (darkroom incident) but I'm looking forward to trying it again.
Well, now that I have exposed some SHD100. Is there anyone that knows how to develop it in xtol? The massive dev chart says 1+1.5 in 20C for eight minutes. I would prefer to develop it without diluting the developer. But what time should I choose then?
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