One thing to watch out for when using vintage flashes is the discharge voltage. Many older flashes were designed before it was common for cameras to contain circuitry, and have a discharge as high as 80V or even 250+V. Let that dump into your camera's electronics and there's a good chance they'll fry first time. The safe zone as reported by most manufacturers is <6V; up to 24V
may be OK (some people think the manufacturers are covering themselves by under-reporting the limit), but it's a risk. The OM-1 at least has a mechanical shutter, but as I understand it the metering system would be in danger.
BotZilla hosts an extremely helpful list of measured voltages
here. If you do get a vintage flash, it's also worth spending £6 on a voltmeter and double-checking the discharge voltage yourself before you connect it to your camera.
I use (on 35mm film cameras) and would personally vouch for the quality of the following three flashes, all of which are modern and so (presumably!) have low discharge voltages -- at any rate they've never fried any cameras I've used them on.
Nissin i40 - the biggest of the three. Zoom from 24mm to 105mm. GN32 at 50mm zoom, IIRC. Good enough that Leica sell a rebranded version of it under their own name (the SF40). Head tilts up for bounce and also rotates laterally 360°. Built-in diffuser and flash card which you can pull out / retract at will. Manual mode has full coverage (in stops) from 1/1 down to 1/256 power. It has TTL, but not auto, so on an OM-1 you'd have to use it in manual.
LighPixLabs FlashQ Q20II - GN20. With the push of a button the flash can be dismounted from the part that attaches to the hot shoe, which becomes a wireless transmitter allowing you to use the flash off-camera. Head tilts up for bounce, and has a slot for easy insertion of colour gels (which come included). Manual mode has full coverage (in stops) from 1/1 down to 1/64 power. Manual only, no TTL or auto.
Nikon SB-30 - the oldest of the three (I think it was made about 20 years ago). GN16. This is a pretty sought-after flash, but you can sometimes get them on the bay for £60-70. It tilts down for macro photography but doesn't tilt up for bounce. In manual mode it offers 1/1, 1/8 and 1/32 power, less versatile than the other two flashes. But in another sense it's the most versatile of the three, because it has not only a TTL mode, but also four power-levels of old-style, OM-1 friendly auto flash, where the flash measures the light for you and shuts off when it judges the frame to be sufficiently illuminated. A minor negative: because the flash isn't centred over its foot, it looks slightly silly on the OM-1 (I've tried).