Whichever box camera you finally choose, you might want to go for one that has T or B speed so that you can do long exposures.
Balda box cameras can be had for very little money. They are very durable. I have two; both older than 100 years and still working perfectly. They take 120 film but only have a simple meniscus lens and a slide-in aperture control. Still, image quality is decent.It occurred to me that I like the idea of the simplicity of the box camera. I think I'd like to take some pictures that way. I saw some shots that people took using modern films, and I liked what those cheap old lenses did for the images.
I'm thinking of a Kodak Brownie, maybe a No 2 of some kind, but I'd be happy to consider anything else, as long as it's cheap and uses 120 film. What do you recommend?
Too bad there is no modern equivalent of the box style 6x9 camera. Probably because even a simple version would need to be retailed at $100 or so to break even on fabrication costs.
If you have only shot and developed 35mm then the first time you unreel a roll of 6x9 after the final rinse it is an amazing experience. And finally, a contact sheet is big enough to really read.
Hire a Chinese elementary school to do shutter and box assembly, buy suitable lenses in bulk (a few cents each in 1000+ quantity, even for a custom prescription), get the three springs and two other metal parts in bulk from a Chinese factory, use injection molded parts where you can, followed by stamped steel and paperboard, and you should be able to make a simple box camera that sells for under $20 even in today's economy. And there's no money to spend on design -- just copy something a hundred years old.
Now, whether you'd sell even an initial run, even at that price, is the real question, and the reason we haven't seen any new box cameras (other than 35mm semi-disposable) for the "film resurgence". There are so many old ones around, and they're so simple (easy to clean and repair, barring actual broken metal parts) that it'd make as much economic sense as trying to produce a new 35mm SLR design.
One thing for sure. If you have only shot and developed 35mm then the first time you unreel a roll of 6x9 after the final rinse it is an amazing experience. And finally, a contact sheet is big enough to really read.
And some of them can be used with 120 on the feed side, and a 620 spool on the takeup side.Look for a Hawkeye Brownie. Some of them take 120.
Look for a Hawkeye Brownie. Some of them take 120.
My Kodak #2 Brownie ... just keeps working.
The older ones. The progression seems to be: first gen would take 120 supply, second gen will accept 120 with the spool flanges trimmed flush to the backing paper on the roll, third gen (about half of production, I think) require both 620 diameter and length on the supply side. All require 620 takeup, as the drive key won't quite engage a 120 spool even if trimmed.
It might be possible that the ones with metal advance knob are the oldest, but I don't know that's been confirmed; otherwise, you'd need the CAMEROSITY code to know how old the camera is and then still not know when they revised the supply clips. FWIW, I've got two, both plastic knob, one what I describe above as 2nd gen, and the other 3rd. Still worth respooling for if you like simple cameras.
Certainly could be. Humidity can certainly cause things to warp. I live in Nevada so humidity is very low but the camera came from Minnesota where humidity in the summer can be atrocious.It might be the humidity that caused mine to warp. Certainly the shutter, film wind and all that work. I had to replace the little frame counter window with a glued on square cut from the deep red filter in Rosco's sample book.
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