Nikon would be a good choice, the lenses interchange with digital format so when you step up to digital you won't have to buy new glass.
Honestly the Nikon F5 would be the one for fast moving sports coupled with a good 80-200 F2.8 and an SB-28 when permitted. Robust,reliable and inexpensive for the quality you'll receive.
Eli Tomac mid air F5 w/70-210F4 on Fuji Superia 400 overcast. Grainy but IMO adds to the image.
Looks exactly the way it should. Especially on the trees, it looks like the way the dots of old magazine images.Honestly the Nikon F5 would be the one for fast moving sports coupled with a good 80-200 F2.8 and an SB-28 when permitted. Robust,reliable and inexpensive for the quality you'll receive.
Eli Tomac mid air F5 w/70-210F4 on Fuji Superia 400 overcast. Grainy but IMO adds to the image.
Looks exactly the way it should. Especially on the trees, it looks like the way the dots of old magazine images.
Nice shot, Martin. I agree that grain makes the shot look "gritty" which is a plus for motocross photography.
In the early 1960s I was shooting Kodak Royal-X Pan (ASA 1250) developed in Acufine, yielding a speed over 8,000 ASA.High ISO such as 1600 will freeze action and potentially allow smaller apertures and greater DOF.
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