- Joined
- Sep 8, 2008
- Messages
- 281
- Format
- Multi Format
The one review I've seen of that camera, it failed after a single roll of film. And who knows what the lens does in terms of focus and aberration changes with various liquids (or no liquid) in the chamber.
This is a little too "artistic" for me...
Yeah I have a Fuji 690 with those adapters and even a machined mask, but there's something neat about a small 24x60 or 25x70 35mm panoramic camera.My suggestion is to get a cheap folder and a set of 35mm to 120 adapters. Easy, works well, and you can still shoot 120 if you want to. Start with a 6x9, and you'll get 24x87 if you crop off the sprockets...
It was 2004, and was a French company called Varioptic. Apparently they've been bought by Corning.
https://www.corning.com/worldwide/e...ng-varioptic-lenses/varioptic-technology.html
I wonder if this is the same company who proposed (don't know if they ever delivered) a spectacle lens that changed focal length (i.e. reading glasses without separate readers) by moving a slider on the temple to push liquid into the lens? That's a much older proposal, though; I think I read about it in one of the little stub articles in Popular Science in the early 1970s.
:-D Yes it's a little too ... stochastic ... in its current form. It does seem to be just built on the chassis of the existing belair 6x12 so I guess if the build quality of that is crap then this one is likely to be the same. I'm thinking more of adaptation, i.e. people have been using Holga Wides and WPCs as the basis for decent panoramas for years, it's difficult to find something similar for 35mm without hacking away at some stereo body or milling out the inside of specific 35mm bodies.
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