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Close ups of snow on the facade could be interesting.
I'm unfamiliar with the environment of Lincoln Cathedral. Could you use a long (say 85 to 135) lens from farther away, or will the surrounding structures occlude the cathedral?
A 24mm lens used closer will really exaggerate the convergence, and I've never been satisfied with using the enlarger to correct this.
I class that as cheating. You learn to look at a scene and appreciate it before even getting a camera ready so you know what to avoid and what to include. If there is a bit of litter, go and pick it up, pop it in the bin rather than ignoring it then using adobe to get rid of it. That is the difference between a photographer and a snapper!
Lincoln is at the top of a hill, appropriately the road to get there is called Steep Hill! You can get a distant image but only from about 1/2 a mile away. Any closer then you get involved with the streets, houses, parked cars, people and road signs. Lincoln is difficult. I have photographed it a few times and the only ones that were any good were small sections of the outside and the detail inside. A lens with a rising front would solve the problems of being too close - but at a price.
There is some quite artistic patterns in the road on the way up the hill where they have placed stone sets in the tarmac instead of marking the road with white lines. Use a 20mm lens with film or full frame on these it can be quite interesting.
Lincoln is difficult.
A homespun workaround for photographing architecture on film is to use an old folding camera. These generally have a system for locking the front lens plate, which is easily bypassed by loosening a bolt or two. You then have a means of correcting converging verticals.
Obviously these cameras lack a ground glass screen but with practice the correct angle for the front plane can be estimated. An alternative is to place a piece of ground glass in the open camera before loading - a piece of tracing paper will do at a push - from which you can determine angle and focus precisely. Stopping down helps keep everything sharp, or you may enjoy the Victorian fall-off effect of an open aperture. Wonky folders can be picked up very cheaply, the old Zeiss Ikon Nettar is perfect for the job.
An alternative is to use a perspective control lens on your Olympus.
As a drone would certainly prove offensive, can I suggest a hot air balloon or some other dirigible as the platform of choice for the discerning film photographer in search of architectural perfection? Watch out for sudden gusts of wind in addition to the normal perils of pin-cushioning and barrel distortion, but otherwise ideal.
I'm familiar with Lincoln cathedral and the photographs you mention. It became a symbol for the numerous allied airman stationed in the vicinity, and it must have been viewed with considerable relief after a sortie into the heart of the Reich. Sadly those trips sometimes resulted in the destruction of equally exquisite churches. Such is the madness of war.There were some quie nice aerial photographs taken from a Lancaster Bomber on the wall of a pub (The Magna Carta). Also included another Lancaster bomber. Pretty rubbish resolution though. Copy of copy of copy perhaps.
Good view from the castle walls. Rooftops and most of the cathedral with 100mm lens. The OM 100mm is only a little bigger than a 50mm f1.4 but quite quick at f2.8. Lean of the North-West tower very noticeable. One of those towers where it obviously started to lean when it got to a certain height (and weight) so they tried to correct it as it went up by making one side longer than the other. Didn't work -still leaning but I think we'll forgive that after 800 years.
I'm familiar with Lincoln cathedral and the photographs you mention. It became a symbol for the numerous allied airman stationed in the vicinity, and it must have been viewed with considerable relief after a sortie into the heart of the Reich. Sadly those trips sometimes resulted in the destruction of equally exquisite churches. Such is the madness of war.
Close ups of snow on the facade could be interesting.
Despite being subject to the 1st 1000 bomber raid, the Cathedral in Cologne (Koln) and the centre of the city being largely reduced to rubble, the Cathedral was largely undamaged. There was significant damage around the main entrance which when I 1st saw it in 1977 was temporarily repaired using brick. It is now fully restored. There is still a small amount of shrapnel damage on the walls but no worse than you will see on York Minster.
@BMbikerider ... It is a a bit of a shock to find that Cologne cathedral is not quite what it seems -the roof is held up by 19th century steel girders ...
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