Those meters are all somewhat imprecise — good metering involves knowing where to meter. A meter mounted on a hot shoe is rarely going to give you an optimal reading.
FWIW my old standby is the Sekonic Studio Deluxe, an ambient light meter. It came In a variety of models over the decades. I prefer the older L-28C2 but any of them will serve you well.
As a 35mm film shooter, all my cameras already have built-in meters for reflected light -- and the built-in meters do an OK job (after understanding their limitations).
In difficult light conditions, I prefer to take an incident reading with a handheld meter such as my Sekonic L-308s. That is also the meter I preferred while using a meterless medium format TLR. The L-308s version has been replaced with newer (and more expensive) versions, but I got mine second-hand.
The meter in my 35mm. camera died. I am looking for an alternative
to this situation. I get sometimes on loan a hand-held lightmeter, but
it is not always easy to do street photography with it.
Ah those meters are for those who need meter but don't want to bring a meter.
I have both the tiny "suger cube" Reveni meter and the Reveni Spot Meter. They both do what their designed to do...measure light. But, just like using any light meter one needs to learn how to use it effectively. I like the tiny meter because I can slip it into the cold shoe of my MF folders. I, also, occasionally use it on a wrist strap. I generally use the spot meter when shooting MF or LF. It's not a spot meter in the sense that my Pentax Digital is, but, again, once you nail down its idiosyncrasies it will provide perfectly accurate exposures.
@Alan9940 Can you say a bit more about how the Revini spot meter works differently than, say, a Pentax or Sekonic spot meter?
The Reveni Spot meter works with your binocular vision. You hold the meter in front of your dominant eye and view the scene with the other. The Reveni is not a true one degree spot meter but somewhere between two and five degrees. Your dominant eye reads the meter with the information superimposed over the scene your other eye is viewing. It’s an ingenious solution to the problem of of large, aging spot meters that may be difficult to repair. It offers a variety of modes and it’s worth the time to check it out on the Reveni site. That being said, the meter does take some time to figure out the best way to use it and it will never be as accurate as a Pentax or Minolta.
I have one but only using 35 it’s easier to use the Sekonic 308. If you’re using medium or large format, it may be worth a look.
I had a couple Reveni cubes and am a big fan of what Matt and his crew are trying to accomplish. Between the fairly wide angle of acceptance and the poor battery life, they were donated and I went back to a Sekonic 308. I did buy a spot meter just to try it out.
This is what I use, metal construction, two positions for shoe connection, battery lasted two years, very quick and easy to operate, can set your camera from above as I prefer, works in strong sunlight (some LCD screens are hard to see in sunlight), comes in sexy black and brilliant silver, costs less than $100.
View attachment 344971
Who makes that?
The logo is indecipherable.
Thanks.
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