And don't be too harsh when casting judgement on the past. Our turn to be judged is coming.
The ones promoting the nudist lifestyle?The cover price says it all. 25 cents. Life and Look were always my favorite magazines growing up, along w/ Hot Rod. Uncle Ralph had the REAL good magazines, but they were hidden away from Aunt Emma pretty well. Lots better than National Geographic, let me tell you!
Thanks for posting, Bill. I have long wished I could find a copy of the story about the mid-air collision of the XB-70 bomber in June 1966. It touched me deeply, as I had spent five years as a lead engineer in the design of the portion of the airplane that included the cockpit and ejection system, before moving from L.A. to Seattle. I was stunned when I first saw the headline on the day following the crash, while I was at my first (of several) AA workshops in Yosemite. It was an incredible story that Life published later of the detailed sequence of events of the collision, including the struggles of the pilot to successfully eject and the co-pilot who was not so fortunate. The system was designed to allow ejecting at 70,000 ft altitude at Mach 3!, maintaining the "shirt-sleeve" environment of the cockpit sealed into the capsule (while the outside surface of the plane was at 450F/232C).
For anyone interested, p.126:
http://books.google.com/books?id=D1...KYBA&ved=0CDAQ6AEwAA#v=onepage&q=xb-70&f=true
BTW, it's helpful to use the two-pg spread display mode and the magnifier to read through the article, while ignoring ads.
When I started High School, I read every LIFE Magazine I could get my hands on, the school library had a full set and let me wander the stacks...
I'm sure those days shaped my photographic eye, though I can't really prove it directly...
I feel like a kid again, here they are ready to leaf through...
For example LIFE Feb 13, 1950 contains the article where one of my favorite HCB photographs was published...
http://books.google.com/books?id=FlMEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false
What got me going is that Henri Cartier-Bresson was shooting COLOR! I had a totally different impression and now I can't even imagine how he did it? Was it like me, one body and just switch "gears" day by day. Or did he have two bodies... Did he take same shots both color and black and white? The questions go on and on...
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