Wanted to share what I found to be a brief yet insightful essay on the late Lewis Baltz.
http://davidcampany.com/fast-worlds-slow-photography/
http://davidcampany.com/fast-worlds-slow-photography/
You're welcome. If you're a fan then you've probably already read this, but in case you haven't seen the "last interview" here it is:I'm fond of Lewis Baltz's work, and New Topographics in general. Thanks for posting this.
You're welcome! Baltz is an interesting guy.Thanks for sending this our way...
I think I have a new "favorite" writer to follow...
You're welcome. Definetly worth saving.Thanks for the link. I downloaded the PDF to my photography library.
What a great interview! We need more posts like this.It seems the "last interview" I posted above is now behind a paywall.
Here is another excellent read; Lewis goes into some detail regarding his materials and processes which I found enlightening.
https://www.aaa.si.edu/collections/interviews/oral-history-interview-lewis-baltz-15758#transcript
If you like the banal, commonplace photography of William Eggleston, you'll like Baltz. He wasn't into aesthetic photography for the sake of beauty. Not my taste.
Well, a photographer putting together a still life inside would usually start with a blank surface and add to it--even adding light as needed. On the other hand a sculptor might start with a block of stone or wood and remove parts of it to achieve the end result.as opposed to nearly all the other arts that begin with the equivalent of a blank canvas and add things to it.
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