I would get one of each, in most situations the non metered prism works well, but if shooting an action scene a metered finder speeds the process up.
I was the guy hanging out side the helicopter, I had a safety harness, then dropped a Government issued F in a rice paddy.
I was the guy hanging out side the helicopter, I had a safety harness, then dropped a Government issued F in a rice paddy.
After years of using a Barnack Leica and a Nikon F (same shutter release location) I found that using an F2 cost me at least a full shutter stop of camera steadiness. I'm certain that for someone with a different hand size and facial structure the exact opposite would be true..... I've got most versions of the F and the F2. F2 is hard to beat. The F with the non-meter prism is a spectacularly beautiful camera/sculpture. Also the F is good Leica training, that is for being able to find the shutter release.
So I ordered a Nikon F2 Photomic, because everyone says that it is "the" Nikon F camera. I guess I'll find out in a few days when it arrives. Then I was like, "Well, I already own the F3HP, F4s and F5. I might as well get an original F to round out the "Actually Used By Photojournalist" cameras." So my questions is this... Which F do I want? The standard eye level finder or the Photomic? Thoughts and opinions?
I never got on with a manual exposure camera with a built-in meter. Too much fiddling around with the aperture and/or shutter speed with the camera held up to my eye. I am much more comfortable using a separate light meter with an all-manual camera, or with an auto-everything camera. Hence my choice of a plain prism finder F and an F6. First and last of the best SLRs. (IMHO)
Having used them all from Nikkormat to F (multiple) F2 all the way to F5. I favour the plain pentaprism F (ok or the F2 titan).
Apart from shooting wildlife with a 300 or longer, I don't see the need for a built-in meter. After years of using meterless. medium format camers or view cameras. If I'm taking photos, then i'm aware of the light and the exposure. Nothing worse than bringing the camera to the eye to take a photograph and then fiddling with exposure. Of course YMMD.
I'm fine with this outdoors.
Indoors I need a meter.
I still use a Pentax 1degree.....in that scenario or a Sekonic 308
Memorizing the sunny 16 scale and learning to judge how deep a shadow is works rather well with black and white film. I shoot using both sunny 16 and meters, overall I get better results with a meter. You can train yourself to shoot sunny 16 with a digital camera set to manual, for black and white if the DC has a black and white mode set it, then practice using the back screen for feedback.
Sunny 16 doesn't work indoors. Or near sunset. Or in odd lighting situations.
Don't get me wrong, I use Sunny 16 all the time and it's really never let me down. But there are many situations where a meter is greatly appreciated.
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