Any of the primes, usually the later the better optically. I would stay away from the early Q auto lens, although they will work on the f4, you need to remember to adjust the the bayonet before fitting and stop down to meter.
What do you have against the later auto focus lens? The f4 can lag a little with focusing, but is ok, you can always turn the little switch on the front to manual focus. More metering options with a D lens.
If I were to have one prime it would be the autofocus Nikkor 50mm D . Cheap, sharp, contrasty and light.
Are you looking for prime lenses or zoom lenses?
I like to use primes as I think more about the shot and composition, and generally they are a bit sharper, And I’d often shoot around F 2.8 - 4
I agree that the manual-focus Nikkors are great, but there are also many excellent AF Nikkors, which work fine on the F4. I did find that the AF system in the F4 is not as responsive as some of the newer cameras like the F100, but I've never had any problems with it.
For portraits and fashion, I'd look at almost any version of the 105/2.5.
I’m just concerned that at 105 mm I’ll be standing very far back From my subject.
This lens is a true classic. Earlier models had a different optical design than the later AI or AIS models, but they're all good. If you stick with Nikon you'll get one sooner or later. This and a 50mm lens will give you a good range of coverage.
All of the 50's are good, some are better than others wide-open. The 50/1.8 is excellent overall, if you can find an older 50/2 that's been AI-converted, grab it.
For zooms, think about the 75-150/3.5 Series E zoom. Still reasonably-priced, I've heard this lens was a favorite of fashion photographers in the '80's. I've tested mine, and it's excellent at all focal lengths.
There are so many good Nikkors, both MF and AF, it might be easier to ask which ones are the dogs. Stay away from the 43-86/3.5 zoom.
Was talking about lenses that were made for film cameras......as you probably aware G lens dont work so well with film cameras.Hey, supposedly the upgrade of this which is the 50mm g is a bit better. Do you know much about this?
Huh? They work great on my F5.Was talking about lenses that were made for film cameras......as you probably aware G lens dont work so well with film cameras.
portraits and fashion,....
..... nice sharpness, ...... not overly expensive and is reliable ......
Huh? They work great on my F5.
G's have no aperture priority or manual mode on a f4.....but yes you can use them on a f4 . I was only being general in my remark. Probably best to avoid them when using a F4.Huh? They work great on my F5.
I recently bought a Nikon f4 with the goal of shooting environmental portraits and fashion,
What lense would you recommend starting with, that can give me some nice sharpness, yet is not overly expensive and is reliable for what I am looking for? Thanks
I have noticed that manual lenses are much more reliable than autofocus ones with this camera.
I recently bought a Nikon f4 with the goal of shooting environmental portraits and fashion, however, I have noticed that manual lenses are much more reliable than autofocus ones with this camera.
I won't use the G lenses on my F4. No manual mode no use.G's have no aperture priority or manual mode on a f4.....but yes you can use them on a f4 . I was only being general in my remark. Probably best to avoid them when using a F4.
I won't use the G lenses on my F4. No manual mode no use.
Sound advice. Also the 50mm and 35mm are usually the most affordable.The 105 is great for tighter head and shoulders shots, and really allows you to isolate the background, but it will put you about 8-10 ft from the subject. I also have an 85/1.8 manual-focus Nikkor and it's great, but a bit harder to find used and more expensive than the 105.
For environmental portraiture, are you looking to include some of the surroundings in the shot? As already mentioned, a 50mm lens may be a good starting point. 35mm lenses could also work - wide enough to include some of the surroundings without any noticeable distortion. For me, this is my normal focal length. I have the 35/2.0 AI lens and love it. I had the cheaper 35/2.8 for years, and was never really happy with it.
This site has in-depth reviews on almost every Nikkor lens, definitely a good resource. Scroll to the bottom of the page for the lens categories.
Also some of the wide G lenses wont cover 35mm film. You should check all the later Nikkor lenses for compatible before purchasing.Yes, this is the drawback of G lenses in the F-4, we cannot set aperture directly, we may use a "pseudo-manual" mode. We set shutter priority and then we use the Exposure Compensation knob to vary the aperture, allowing +/-2 stops. If wanting more then we still may change ISO setting.
This is useful when we have have no other choice, but it's an incovenient way if we usually shot manual.
Also some of the wide G lenses wont cover 35mm film. You should check all the later Nikkor lenses for compatible before purchasing.
The 105 is great for tighter head and shoulders shots, and really allows you to isolate the background, but it will put you about 8-10 ft from the subject. I also have an 85/1.8 manual-focus Nikkor and it's great, but a bit harder to find used and more expensive than the 105.
For environmental portraiture, are you looking to include some of the surroundings in the shot? As already mentioned, a 50mm lens may be a good starting point. 35mm lenses could also work - wide enough to include some of the surroundings without any noticeable distortion. For me, this is my normal focal length. I have the 35/2.0 AI lens and love it. I had the cheaper 35/2.8 for years, and was never really happy with it.
This site has in-depth reviews on almost every Nikkor lens, definitely a good resource. Scroll to the bottom of the page for the lens categories.
Nikon 50mm F/1.8D, new it is $132 (Amazon) . It is crazy sharp, ideal for the F4. The "D" feature ensure perfect Flash exposures, as focus distance is communicated by the lens to the camera body. It has less distortion than the F/1.4.
The flash exposure sounds great with this, though many reviews say this only gets sharp at 2.8 or f4 and up. Thanks for advice
A greatness of the F/1.8D is that it is Unit Type focus design, allowing for a simple/cheap design to have an impressive performance.
If wanting a zoom, the cheap 28-80 AFD F/3.3-5.6 (or the 3.5) is also impressive for price, it is amazing how such a cheap zoom is that good. The older 28-85 f/3.5-4.5 AFD is crazy good, it is almost as good as prime lenses, even better than the 28-80, but it weights a lot.
Nikon entry level optics are very, very good. With other manufacturers you had to go to prosumer or pro range to have decent glass.
Those zooms may have distortions (specially in the focal extremes) that you will have to correct in Photoshop.
If you are to make portraits then one of the best lenses ever is Nikon 105mm DC, or the 135mm. Those lenses have an additional "Defocus Control" ring to alter the "bokeh nature", not everybody will value that ring, but's pure gold for those loving some nuances.
The F-4 is not able to start the VR function in Nikon stabilized lenses. If you plan to also use it in a Nikon F-5, F-6, F-65, F-80, F-100 of DSLR then you may invest in a Nikon AF-S VR 24-85mm F3.5-4.5 G ED, the VR is a great advantage, but with G type lenses the F-4 you cannot adjust aperture manually.
A cheap F-65 activates the Vibration Reduction function in the VR lenses which saves the tripod in many situations, the F-4 not, this is one of a few drawabacks an F-4 has, for the rest it is impressive for classic work, sporting real knows for real functions, a crazy good piece of gear.
definitely a Nikon E series 50mm f/1.8!I recently bought a Nikon f4 with the goal of shooting environmental portraits and fashion, however, I have noticed that manual lenses are much more reliable than autofocus ones with this camera.
What lense would you recommend starting with, that can give me some nice sharpness, yet is not overly expensive and is reliable for what I am looking for? Thanks
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