RezaLoghme
Member
Leica’s “Olympia” obsession of the 1970s–80s is fascinating: an era when the five rings meant a global spectacle, not a car, and everyone tuned in on TV. Leica marked it with countless special editions—engraved, numbered, collectible. Yet today, those engravings often feel like marks of compromise; the untouched originals hold a quiet, enduring charm.
Do you prefer the engraved “special editions” or the pristine, unmarked cameras? Which speaks to you more—and why?
Do you prefer the engraved “special editions” or the pristine, unmarked cameras? Which speaks to you more—and why?
