Leica's "Olympia" obsession

Leica’s “Olympia” obsession of the 1970s–80s is fascinating: an era when the five rings meant a global spectacle, not a car, and everyone tuned in on TV. Leica marked it with countless special editions—engraved, numbered, collectible. Yet today, those engravings often feel like marks of compromise; the untouched originals hold a quiet, enduring charm.

Do you prefer the engraved “special editions” or the pristine, unmarked cameras? Which speaks to you more—and why?

RezaLoghme said:

Do you prefer the engraved “special editions” or the pristine, unmarked cameras? Which speaks to you more—and why?

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In general, I would prefer the regular version--like I do with my M3 and M6 (a camera that fell victim to dozens of different "special editions"). Simply because cameras are a tool for making photographs, not an advertising vehicle.

Not only that, I try to spend money rationally. Why would I pay hundreds of dollars or more just for some engraving & a bit of paint...which don't provide the camera with any extra capabilities whatsoever. Seems a bit nonsensical, really.