I joke about that, but I have the summitar and also a particularly nice summicron for the M3. Considering the 1952/53 vintage of that thing, it's a nice lens.Aaahhhhh Soul machine
I joke about that, but I have the summitar and also a particularly nice summicron for the M3. Considering the 1952/53 vintage of that thing, it's a nice lens.
Again, the quality of my images has about nothing to do with the gear, but that beast DOES have its own look.
My recommendation: Screw Leica. And I don't mean "buy a leica screwmount camera".
If you want a LTM camera, the Canons are nicer.
If you want a M-mount camera, there are those Voigtlander machines for an affordable price.
My recommendation: Screw Leica. And I don't mean "buy a leica screwmount camera".
If you want a LTM camera, the Canons are nicer.
If you want a M-mount camera, there are those Voigtlander machines for an affordable price.
Also Canon has better overall build quality.
Canon made their own copies of Leica ltm cameras and lenses, and the build quality is close, if not equal to Leica's.
While the Canon 7 did not have the build quality of the IIIG or the M2/3 it was much easier to load film, in pretty good lighting the meter worked fine.
but there's something funny about the oddball accessory to "fix" a "problem" with the design being way more expensive than the core machine.
My other favorite is the nooky
My recommendation: Screw Leica. ..
If you want a M-mount camera, there are those Voigtlander machines for an affordable price.
If it's your main camera, get an M and just adapt LTM lenses to it. If it's for a collection then yes a Barnack has it's advantages and can be fun to shoot with.
A Barnack Leica is the Holy Grail of film photography cameras.
ahahaha. Guess you haven't checked the price of those Voigtlanders - they now are more than many Leicas!
A lower quality item that is more expensive than the real thing. Excellent recommendation!
I own a Leica IIIc, beautiful design and built quality. I can't say anything about M; imho M are too expensive for the results produced.
In my darkroom I can only see a great improvement in prtints only using a MF negative; for 35mm works I can hardly distinguish prints by Leica IIIc, Leicaflex SL or Olympus OM.
In field use, my Leica IIIc is a pain for a glass wearer and slow to point-focus-shoot sequence.
Considering compactness, lens quality, easy to focus, my Oly OM1 is overall better than Leica IIIc at 1/4 price
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