load the film, crank off two blank frames while making sure the rewind knob is rotating backwards, THEN turn the film counter until it is pointing at one. TAke pictures, rewind film, lather, rinse, repeat.
The din/asa dial is because the Germans, at one time, used the DIN scale instead of ASA which is now ISO. A DIN of 21 is the same as ASA 100, DIN of 27 is the same as 400, and so on (or, in German, 'usw' = 'und so weiter').
Nobody uses DIN any more, but you still find some old meters marked in it.
load the film, crank off two blank frames while making sure the rewind knob is rotating backwards, THEN turn the film counter until it is pointing at one. TAke pictures, rewind film, lather, rinse, repeat.
The din/asa dial is because the Germans, at one time, used the DIN scale instead of ASA which is now ISO. A DIN of 21 is the same as ASA 100, DIN of 27 is the same as 400, and so on (or, in German, 'usw' = 'und so weiter').
Nobody uses DIN any more, but you still find some old meters marked in it.
Just what I needed to know, thanks!
Actually ...
The DIN and ASA standards were combined into the modern ISO standard. It continues to be correct to specify film sensitivity as 100/21 where 100 is the arithmetic sensitivity (as ASA was) and 21 is the logarithmic sensitivity (as DIN was).
We most commonly see just the arithmetic part.
load the film, crank off two blank frames while making sure the rewind knob is rotating backwards, THEN turn the film counter until it is pointing at one. TAke pictures, rewind film, lather, rinse, repeat.
It is not quite right to say that ASA was arithmetic and DIN was logarithmic (although that is correct) as the DIN system used (uses) a very different emulsion characteristic to measure film speed than the ASA system did. A large ASA difference in film speed between two films would not necessarily mean a large DIN difference. The DIN system (or degree part of ISO) measures a fixed density above the fog level while the ASA system ( and first part of ISO) is based on the gradient of the log exposure/density curve. It is at least theoretically possible for one film to be faster than another according to DIN and slower according to ASA.
load the film, crank off two blank frames while making sure the rewind knob is rotating backwards, THEN turn the film counter until it is pointing at one. TAke pictures, rewind film.
Yeah, I usually set it at 0 after winding and firing the two frames. Why not set it to 1? I guess because I feel as though I'm getting a "bonus" frame. Stupid, I know.
That is my understanding for the current ISO system - using the fixed density above fog method of the old DIN. My comments were regarding the DIN and ASA standards, not ISO.It is my understanding that when the ISO standard was put in place, the ASA and DIN procedures for determining sensitivity were replaced with a single, ISO procedure.
+1
A question just flickered across my frontal cortex: it seems odd that DIN should be a base 3 logarithm... is it associated with the dB concept that 3dB is the difference in amplitude that is detectible by the human ear..( I dunno, not a physicist)
David
Are you a robot?
The manual seems to say close baseplate fire two blank frames then set counter to zero?
Correct, but what he said will work.
mayhap but the manual says fire three blank frames is it ok to only fire two, have I misread the manual or the other post cause they seem different?
note the strange question mark in both my posts.
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