How do you know it is not sustainable? How do you know this production is not profitable? Go ahead, where is the data, show us.. But it is not sustainable, profitable for size of the Leica as company. Just a goodwill. Cosina cut it then it went to low numbers. They used to make film cameras even more than Leica.
I Leica nets 3000$ per sold body, that’s $3Million of profit per year.
What’s not sustainable in that kind of profit?
Sorry, but this can't be the NET. It is not wedding photography couple at home business. Labor, warranty service, outsourced parts, facilities and else. For the size of corporation like Leica Camera AG anything under two millions is way too small. Corporations cuts product lines and services way above than couple of mill.
Film M are not profitable business in direct numbers, but it helps to maintain company image.
That is wrong. It is "not for sometime now". Leica told me that their film M models will have a long term future because of the increasing demand.
The camera market is significantly changing:
The market for digital ILC cameras is collapsing for years, and that process will continue. We have not hit the bottom yet.
On the other hand the demand for film - and as a result also film cameras - is significantly increasing.
We will see new film cameras in the market in the future. The question is not whether there will be new film cameras. The question is
- when will the first cameras be introduced
- which manufacturers will be the first
and
- which models / camera types will be introduced.
There is a good chance that Leica will belong to the first. Being nitpicking, we can already count them belonging to the first with their M-A and Sofort.
In ten years from now the relation/percentage of film cameras compared to digital cameras at Leica will be quite different from the current situation, in favour of film cameras (higher percentage compared to today's situation).
Part of my daily work are scientific analysis of the photo markets. And the incoming numbers are very clear: The film revival is getting stronger year by year.
And since then the market has changed significantly. Look at the increasing prices for Voigtländer (Cosina made) cameras, including the Zeiss Ikons.
It was the wrong decision to quit the market.
Leica made the right decision to stay in the market. And they are benefiting from the increasing demand. In 2014 Leica introduced the new M-A model at Photokina. I talked to Leica about it at that time and they explained that the increasing demand was a major reason for this decision.
Best regards,
Henning
How do you know? Just blabla?
I stay by my numbers. At least $3Millions profit is made out of their M film bodies sales, and probably even more.
This is not a small number.
Besides, if it maintains the company image, this too has value. So add a few millions there.
This brings us up to 6 million now.
Goodwill, you say?
Too much blabla and magical thinking, IMO.
Ned, I'm in manufacturing and corporate business for decades. And last time I checked you are wedding photog. So, blabla and some imaginations is your thing. Not mine.
Ned, I'm in manufacturing and corporate business for decades. And last time I checked you are wedding photog. So, blabla and some imaginations is your thing. Not mine.
Too many words which are copy pasted from netbased film hysteria. Sorry, but you are under illusion.
Leica stopped making M7 in 2018.
Hello,
just a brief report about this event:
- it was a great success, the organisers from the Leica Store Wetzlar / Leica Akademie have been very satisfied with the response from the visitors
- about 500 participants in the lectures / workshops / real slide shows during the two days
- the Leica Store in Wetzlar (Leitz-Park, at the factory) starts selling film, too, to their customers soon
- the demand for the film-based Leica M cameras increased by another +20% in the last 12 months
- the response / interest / dedication from the partcipants results in so much questions and discussions after my lectures that there was no time left for eating and drinking for me over the two days
- confirmation from Kodak Alaris Germany that Ektachrome E100 in 120 is "in preparation" (no official introduction date yet)
- the absolute highlights have been the real slide shows (cross fading / dissolving with two Leica RT-m slide projectors) from famous nature photographer Norbert Rosing (who continues to also shoot transparencies; Velvia 50 being his preferred film); he presented a selection of his best shots from the last 30 years, really outstanding photographs; and presented in the unsurpassed quality of slide projection: this was really a "festival for the eyes"!!
Best regards,
Henning
Found this reportage some time ago.there are some folks in Northern Europe who have been trying to keep older cameras repaired and out to use https://camerarescue.org/
Thank you Henning
Your posts,are always a welcome read
Peter
I agree with Henning. At some point even the glut of used high quality film cameras will cease to exist and film cameras will again be manufactured. However, the film cameras of the future will most likely never achieve the same level of craftsmanship of the past.
If demand for film cameras increases, at one point we should reach the critical mass for manufacturers to propose new affordable film cameras.
The question is: When is it going to happen and who is willing to take a chance?
That sounds like a great event. I would have enjoyed seeing that slide show! Thanks for sharing with us.
there are some folks in Northern Europe who have been trying to keep older cameras repaired and out to use https://camerarescue.org/
Here in Germany I see film camera repair workshops closing either due to lacking profit or to lacking successors.
(Exception: Olbricht with family successor in 2012)
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