Wow, the learning curve on warmtone fb is sure different than normal toned fb. Exposures are totally different and contrast as well. But once you start getting in worked out it is, in my opinion, a great paper. Warmtone is not for everything, but for those images that it does work, it is fantastic. I am afraid my RC days are behind me now. The FB papers have so much more to offer. Don
Ilford Warmtone FB really starts to shine when you start toning it. It's wonderful in selenium (1:5), and you can get rich chocolate browns in sepia. Very flexible.
I initially had trouble getting any "punch" from this paper. When I tried Evan Clarke's posted recipe for Ansco 130, using Benzotriazole instead of Bromide for a restrainer, the paper came alive for me. Deeper blacks that still retained good detail and the mid-tones had a smooth gradation too. Most of my negatives are from PyroCat MC and the overall combination led to easy printing with minimal manipulation for the look I was after. As mentioned, the paper reacts nicely for toning, too.
All warm tone papers have immense flexibility, exposure and development times can be varied to increase or decrease the warth. Longer exposures and short development times give greater warmth.
Wow, the learning curve on warmtone fb is sure different than normal toned fb. Exposures are totally different and contrast as well. But once you start getting in worked out it is, in my opinion, a great paper. Warmtone is not for everything, but for those images that it does work, it is fantastic. I am afraid my RC days are behind me now. The FB papers have so much more to offer. Don
You know, I found I took me a little longer to learn the basics of that paper as well. It's been several years so I was never really sure if it was just me or there was a real difference. That said, it is my favorite paper - hands down. Very flexible.