That's an interesting point, and I agree. Subjects with multiple textures, stone, foliage, people, can stand more enlargement than, for example, beach scenes with open areas of sand and sky. In such scenes the eye is drawn to grain, corner sharpness, development artefacts, etc. Many years ago I abandoned 35mm for medium format because I wasn't getting the look I wanted with more texture-less subject matter. Now I'm shooting "busier" images I find 35mm acceptable to about 15 x 10" and I'm looking to see what the maximum acceptable size might be.The largest size also depends on the subject. If the image relies on sharpness it cannot be enlarged too much but if this is not the case you can print bigger. Once I did a 90x60cm print of a friends two horses running and it worked OK (Leica 50/2 and 50 asa film). Had it been a cityscape it wouldn't have worked.
It has varied over time. Originally I enlarged to 10 x 8" and thought that was about the maximum size before the image became less satisfying to look at. I then went up to about 20 x 16 for exhibition prints (mainly black and white) and felt they lost something. I'm now looking to print 35mm colour negatives and based mainly on scans, I think 15 x 12" is probably the optimum size for grain, colour saturation and physical presence.What is the biggest print you make?
Agree, I have 25 years old BW prints on my walls 30 x 40 cm from 35mm film (family portraits) that are not showing any grain, whatever the distance you look at them.My 30 x 40cm ( 12x16in) prints, done from ex agfa APX 100 film looks very sharp, viewing from any normal distance.
I am sure, that much bigger sharp prints could be done with slower films.
it depends
Yepit depends
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