Thanks, I'll check it out.Reminds of this video:
Thanks! I just shot a roll of FP4+ for the first time but haven't developed it yet. Maybe I should give Pan F a try too.Logan2z, those are lovely images. I think many of us get out start with 35mm. I like you, had no idea about larger formats until I became more serious about photography. Recently, I've really started liking 120 Pan F. What got me interested in that film was a couple rolls of 35mm I shot in the woods. Landscapes on small formats? I say go for it!
I know, his prints are incredible!Lewis Balz shot most of his early work on 35mm Kodak Technical Pan using a tripod and careful set-up. You'd swear it was done on 4x5.
I wouldn't say I'm experiencing low resolution/poor tonal range, but it seems to be improved when using MF. But I tend to print 8x10 max from 35mm and move up to 11x14 for MF. As I stated in another thread, I'm not a 'big print' guy and never go bigger than 11x14. Oh, and I do use Leica lenses on my 35mm camera.The smaller size of the 35mm film format shouldn't be giving you low resolution and tonal range. If that's what you're experiencing, it's time to change films and look at your exposure and developing protocols. You're getting smoother shots from MF because you're enlarging it much less than 35mm, and the grain is becoming more apparent as you go large w/ the smaller film size. Maybe you just need Leica lenses and slow film to improve your 35mm enlargements, but you aren't going to get the same size enlargements from the smaller film format./QUOTE]
I've been primarily using Tri-X in both 120 and 35mm, but recently picked up some FP4+ in both formats to see how that looked. I haven't developed anything I've shot with it yet so the results are still TBD.
Cool image!Tonal gradation and resolution (magnification, to be more specific) are the same thing. A 35mm negative enlarged 5x will give you the same tonality as a 120 negative enlarged 5x, except the latter will obviously produce a larger print.
Tonal gradation and resolution (magnification, to be more specific) are the same thing. A 35mm negative enlarged 5x will give you the same tonality as a 120 negative enlarged 5x, except the latter will obviously produce a larger print.
I think that 35mm landscapes are fine as long as you don't blown them up too much, you use the entire frame and good camera technique such as using the right film, tripod, decent lenses and have a good image to
begin with. Medium format and large format are great at this too but will the general public be aware that you shoot it on 35mm image really care. They'll looking at your image.
The image below was shot with a Nikon F4s using a Nikon 28-105 D lens on a tripod, the mirror locked up with Kodak Ektar 100 film and scanned to show the entire frame.
View attachment 270060
If you'd like to try a print from a V850, I could email you one of these 35mm scanned at full 2400 bit. Pick one out that has lettering from the back of the trucks so so can check the resolution on the print better. You could uprez the 2400 much larger for a larger print sample.Here's some 35mm Tmax 400 shot recently and scanned with a V850 Epson. Use fine resolution film like Tmax. Tmax 100 is better than 400. Even less grain.
https://www.flickr.com/photos/alanklein2000/albums/72157716777378896
Quote "And since this is a photo forum, a few of my own recent 35mm landscapes (which may or may not help prove my point):"
I like #2. If you can, this would be a nice one to print!
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