That was my approach, ten years ago. I bought several Nikkormats because even if some failed, there would be sufficient to last my lifetime. People making a plea for new film cameras need to look at what a new Nikon rangefinder cost in the early 2000s, or a Leica MP today. Even a newly produced Pentax K1000 would likely cost £1000 - 1500 as mechanical construction in an electronic age is expensive. Until the advantages of a new film camera outweigh those of a used one in cost and reliability, the mass market is not ready for anything fancier than a Cosina or Vivitar branded new SLR.I lucked out with my last 35mm acquisition, a Nikkormat FTn, for $15. The meter is flaky, but everything else rocks. I may collect several more of these tanks to build a "lifetime" supply.
That is why I wouldn't sell my F5. When the day comes and according to the video I should be able to get $500 at least for my F5.If one day there is a need, industry may easily manufacture film cameras again, at least in it's basic functionality it's easy to implement.
From a DSLR design t would only require to strip the sensor and adding a film transport, taht can be totally manual, designing/producing a film camera from a DSLR base would be quite easy, only one thing lack: demand.
I got my F5 for $250... new designs cannot stand that competition.
+1Right now here is more total functioning film cameras than users. Huge disbalance. And film will crap out with lack of users. Not due to lack of working cameras.
Film is dead; long live film...
I agree. I also get a few cameras in the past 10 years or so. The past decade, people were dumping their film cameras for digital cameras and prices were way cheaper. The resurgence in interest with film cameras prices shot up. I think if people are shooting more film, more will also be interested in repairing old cameras. I think Japan still has a decent supply of old film cameras and the prices are still reasonable.Lets see, new cameras purchased in the past 10 years.
New cameras have been available over the past few years and and many are still available. They range from a very inexpensive Holga to the outrageously expensive Leica (that took some serious savings to afford.) I was even able to pick up a NOS Pentax LX out of Japan a few years back though I suspect those are getting harder to find by now.
- Ilford Obscura 4x5
- Holga
- Zeiss Ikon
- Fuji GF670
- Wanderlust Travelwide
- Intrepid 4x5
- Lomo LCA-120
- Leica MA
Indeed it is very refined and usable. I bought mine used, about 4 years ago and to be honest it has not had the amount of use that a professional film camera would have received prior to 2000. I have also got a Nikon F100 and as a back up, a F601. Using the 601 is actually delightful being so simple to operate and is almost as good as its later sisters.Amazingly, the Nikon F6 is still sold new today. Perhaps the most refined SLR ever.
LF cameras are still being made new (Chamonix, Intrepid, Chroma, etc.) and there's a Kickstarter (with some issues) out there to make a new SLR and lens. Film photography in one form or another is not as vulnerable as it's often suggested. Time for folks to move on, pick another scab or kick something else. The wounds here have healed up and like just about every other "dated" thing that should go away... just not doing so. I can remember in the 1960's when some suggested marriage was dated and doomed.... only to be followed by a time where event planners turned weddings into the overblown showstopping spend-a-thons they are today. Go figure.
Right now here is more total functioning film cameras than users. Huge disbalance. And film will crap out with lack of users. Not due to lack of working cameras.
Maybe a bigger problem is that people hang onto too much stuff for too long, and by the time they or their heirs sell it, it's dirty, fungused, maybe has been stored for decades in an unheated garage or storage unit.
If one day there is a need, industry may easily manufacture film cameras again, at least in it's basic functionality it's easy to implement.
From a DSLR design t would only require to strip the sensor and adding a film transport, taht can be totally manual, designing/producing a film camera from a DSLR base would be quite easy, only one thing lack: demand.
I got my F5 for $250... new designs cannot stand that competition.
Agreed, this is my perception too. Reminds me of typewriters in some way, its probably 20 or 30 years since most manufacturing stopped, and there is still millions out there. The biggest threat is the possibility of young people not having interest in it, or it falling out of fashion.Right now here is more total functioning film cameras than users. Huge disbalance. And film will crap out with lack of users. Not due to lack of working cameras.
For professionals, the F5 has a fatal flaw; The Nikon F5 does not have dual film slots! (sarcasm for those who are serious minded).
I would think that if someone wanted to make a new camera, say a 35mm SLR they should stick to a very basic design. And don’t try to reinvent the wheel.
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