I'm hoping that a Kiev 16mm user knows the answer to this question without my digging through my negatives.
The Kiev Vega 16mm camera models, like the Minolta 16, created 10x14mm images in the middle of 16mm film -- regardless of the perforations (Double, Single, or unperforated).
The later 30, 30M and 303 cameras switched to a 13x17mm format -- the same size as the 110 cameras -- but larger than the Minolta SUPER 16mm (12x17mm) that was used in the Minolta MG-s & QT cameras.
The Minolta SUPER 16mm format used single perforated (or unperforated) film, and was off-set slightly (similar to the 110 format) to keep the perforations out of the image.
Are the Kiev 13x17mm images off-set -- similar to the Minolta Super 16 and 110 format -- or are the simply right in the middle of the 16mm film with 1.5mm of film edge on each side.
I'm assuming it's the latter. If no one knows, I'll go through my negatives.
http://www.subclub.org/shop/kiev.htm
The Kiev Vega 16mm camera models, like the Minolta 16, created 10x14mm images in the middle of 16mm film -- regardless of the perforations (Double, Single, or unperforated).
The later 30, 30M and 303 cameras switched to a 13x17mm format -- the same size as the 110 cameras -- but larger than the Minolta SUPER 16mm (12x17mm) that was used in the Minolta MG-s & QT cameras.
The Minolta SUPER 16mm format used single perforated (or unperforated) film, and was off-set slightly (similar to the 110 format) to keep the perforations out of the image.
Are the Kiev 13x17mm images off-set -- similar to the Minolta Super 16 and 110 format -- or are the simply right in the middle of the 16mm film with 1.5mm of film edge on each side.
I'm assuming it's the latter. If no one knows, I'll go through my negatives.
http://www.subclub.org/shop/kiev.htm
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