Bummer. I hope mine is ok. I hadn’t read about any reliability problems in all the research I did prior to buying this camera.
The viewfinder on mine seems hazy and I think that is common. I can see through it fine, though.
I sure wouldn’t mind a Hi-matic.
Confirmation and survivor bias. You won’t hear people who bought a dog praise it.
It is a tremendous camera when is does work no doubt.
The telescope hood and the scaling parallax correction lines, the top lit finder lines window and the external meter reading are all superb features.
But the Hi-Matic 7 sold better for a reason.
It’s rock solid. And has an equally fantastic lens.
Yes, there’s no substitute for personal experience.
I sure would like to get the haze out of the viewfinder but I’m not sure how. There’s a circular “plug” by it that could be hiding a screw head. I’m not sure if it is or how to remove it.
Very good to know about the Hi-matic. I was looking at a Hi-magic 9, but don’t know much about them. I have two SRT-101’s and a 201. I like like Minoltas a lot.
The 9 is not worth the premium.
The GN system is useless for anything but straight flash (who wants that?) with a manual flash.
It’s deeper on account of the lens GN system.
The lens is the same or so close it doesn’t matter.
The f22 stop of the 7s is missed when you loaded 400 film and the sun is blaring down.
The 7s is not very expensive; similar to the Konica Auto S2. I paid $35 for mine.
The 7sII seems more desirable with price tags to match.
What does the 7sII have that the 7s doesn’t?
I have a Konica auto S2 that I got in the late 1980s as my first rangefinder camera. It still works, but the meter stopped working quite a while ago. I have not bothered to try to look deeply into repairing the meter, since it's still usable. I also got another one from a camera shop in Japan as a trip souvenir - they had it on the "junk" bargain shelf because the meter was dead, but the rest of it is fine. Anyway, you can find dead ones like any 50 year old camera, but if it works now I don't think it's primed to die on you tomorrow.
On my first one, I had to take the top cover off because the RF patch became sluggish in following the focus motion of the lens, and I had to clean a moving part. IIRC, in order to take the top off to clean the finder, you just need to remove the rewind knob and wind lever. The rewind knob comes off in the usual way - block the rewind fork with a screwdriver and unscrew the top knob. The wind lever top cover is unscrewed by friction. See here:Once inside, you can clean pieces that need it - probably mostly the eyepiece. Don't touch the half silvered mirror.
The 7s is not very expensive; similar to the Konica Auto S2. I paid $35 for mine.
The 7sII seems more desirable with price tags to match.
What does the 7sII have that the 7s doesn’t?
I have a 7SII that I purchased second-hand about 30 years ago. I much prefer it to the 7S. It's *much* smaller and lighter. I can stash the 7SII in a coat pocket and carry and use it unobtrusively when I travel - I've done that many times. The 7S is a boat anchor by comparison, completely defeats my purposes in carrying a fixed-lens RF. And I much prefer the 40mm focal length of the 7SII to the 45 of the 7S. The latter is on the long side of normal and is way too tight for me. (I'd like the 7SII even better if it had a 35, but you can't always get everything you want.)
A friend of mine when I was growing up long ago had a 7S, and I got to know it pretty well. It's a perfectly decent camera on its own merits, just doesn't meet my needs. YMMV - if you like the S2, you'll probably enjoy the 7S as well.
At any rate, good luck with your S2 - hope you can get the finder cleaned up to your satisfaction and that the camera will serve you well.
I have a Konica C35 Automatic for a smaller lighter RF. Plus I have a Ricoh 500G coming that should be smaller and lighter, too.
Time will tell which camera gets used the most, but the C35 sure is appealing.
And what are those purposes, if I may ask for clarity?I have a 7SII that I purchased second-hand about 30 years ago. I much prefer it to the 7S. It's *much* smaller and lighter. I can stash the 7SII in a coat pocket and carry and use it unobtrusively when I travel - I've done that many times. The 7S is a boat anchor by comparison, completely defeats my purposes in carrying a fixed-lens RF. And I much prefer the 40mm focal length of the 7SII to the 45 of the 7S. The latter is on the long side of normal and is way too tight for me. (I'd like the 7SII even better if it had a 35, but you can't always get everything you want.)
And what are those purposes, if I may ask for clarity?
IMO, if a lens has a little patch of fungus and some dust particles somewhere in the middle, you may be able to leave it as is and not see any effects other than probably a little increase in flare. (If the fungus is still alive, you should kill it by exposure to UV light, like leaving the lens in the sun with the shutter open. Make sure it isn't bringing the sun to a focus on anything, of course.) Haze, IME, is worse than little patches of debris/damage.
Markings on lenses are probably worst when they occur on the rear element, because they are closer to being in focus on the film. But in the middle ... I have an SLR lens that literally has a tiny dead insect smack in the middle. You can't see it in the viewfinder.
That's too bad, I guess I was lucky with my Wards version, all it cost me $35 for the camera with shipping + $75 for CLA, glass was clear when I got, no issues with mold.
My local shop Wilson Camera had a tech, he has moved to Portland, so not sure if they will mailing cameras to him. Tempe Camera Repair will work on some old film cameras as long parts are not needed.
If the lens has fungus, I would keep the camera for parts and get a cleaner example.
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