Kodalith 6556 Development

Go / back

H
Go / back

  • 2
  • 0
  • 65
untitled

untitled

  • 6
  • 0
  • 130
Crow

H
Crow

  • 4
  • 3
  • 101
part 2

A
part 2

  • 5
  • 0
  • 179
Sonatas XII-32 (Homes)

A
Sonatas XII-32 (Homes)

  • 2
  • 2
  • 201

Recent Classifieds

Forum statistics

Threads
199,411
Messages
2,791,212
Members
99,901
Latest member
AI8_ikra
Recent bookmarks
0

htmlguru4242

Member
Joined
Aug 9, 2005
Messages
1,012
Location
Eastern NC, USA
Format
Multi Format
I shot a roll of Kodalith 6556 (Type 3 Ortho), and now i need to know how to develop. I asked awhile back, and somebody pointed me in the direction of the Massive Dev Chart, though it only gives a reccomendation for D-19, which i don't have.

I have D-76 and T-Max devs., so any suggestions on these?

By the way, the shots were exposed @ ISO 25 and ISO 12
 

Konical

Subscriber
Joined
Jun 1, 2003
Messages
1,824
Good Morning, Html,

Are you aiming for continuous-tone results or the typical Kodalith high contrast results?

For high contrast, Dektol, either 1:1 or 1:2, or whatever your favorite print developer may be, usually works out fine. Developers made especially for Kodalith and similar films used to be available, but I haven't checked lately. Usually they came in Part A/Part B configurations, with the two separate parts mixed immediately before use.

I have also printed continuous-tone positives on Kodalith by processing in Dektol at 1:15, although Kodalith is not the best choice for that use.

Konical
 
OP
OP
htmlguru4242

htmlguru4242

Member
Joined
Aug 9, 2005
Messages
1,012
Location
Eastern NC, USA
Format
Multi Format
I'm looking for somewhat high contrast, though not that typical no-or-very-few-gray-shades lith film look. I'm aware that "normal" contrast with this film is probably hard ...
 

Neal

Subscriber
Joined
Dec 3, 2004
Messages
2,020
Location
Chicago, West Suburbs
Format
Multi Format
Dear htmlguru4242,

Playing around once I got results that weren't horrible using ortho-litho film and half strength Technidol (developed by inspection). PF sells a POTA developer, and a Technidol substitute. C-41 developer might work as it gives good results with Technical Pan.

If I really had to use D-76 or T-Max I would dilute the normal working strength of each at least 1:3. (That guess is honestly more from ignorance than knowledge.)

I wish you luck!

Neal Wydra
 

Aggie

Member
Joined
Jan 1, 2003
Messages
4,914
Location
So. Utah
Format
Multi Format
Try the dektol which you can do under safelights, at a dilution of 1 to 8. the one secret to getting more grey tones into it is watch the agitation frequency. The more you agitate, the contrastier it will be. Semi stand is actually very good for lith/ortho film. Being able to watch the development is also an advantage. Also you will under the safe lights know when to put it into the stop bath. This way the times don't have to be precise.
 

lowellh

Member
Joined
Mar 22, 2004
Messages
67
For continuous tone developing of lith film, we recommend using our Extend plus Developer. the detail is exquisite and the latitude is expanded.
 

Aggie

Member
Joined
Jan 1, 2003
Messages
4,914
Location
So. Utah
Format
Multi Format
I'd wind it on the spool and just dunk it into the developer. For this I would use the red safelights.
 

glennfromwy

Member
Joined
Nov 3, 2004
Messages
278
Format
Multi Format
Use a red sagelight. Try D-76 at 1:9. You can always use the "see saw" method if you want to develop by inspection. Just grab each end of the film and run it up and down (in a "U" shape) in a container of developer. Make sure the container is smooth inside to avoid scratches. I use a glass bowl.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom